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This Gospel Book was written in the diocese of Freising, Germany, ca. 875. Surprisingly small for a Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art and Caroline minuscule script. The expressive and emotive quality of the Evangelist portraits, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in northern France. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in their use of interlace within the columns and of acanthus springing from the top corners. The manuscript is one of a small group of codices produced at Freising at this time, among them another Gospel Book, Munich, Bayerische Staatsbibliothek Clm 6215. It is complete, consisting of 215 folios and includes readings for the liturgical year, Jerome's Plures fuisse and Novum opus letters, decorated canon tables, and Evangelist portraits.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- c7058aa576202d40
- Size
- unknown
Document data
- ID
- 19057
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Freising Gospels",
"description": "This Gospel Book was written in the diocese of Freising, Germany, ca. 875. Surprisingly small for a Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art and Caroline minuscule script. The expressive and emotive quality of the Evangelist portraits, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in northern France. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in their use of interlace within the columns and of acanthus springing from the top corners. The manuscript is one of a small group of codices produced at Freising at this time, among them another Gospel Book, Munich, Bayerische Staatsbibliothek Clm 6215. It is complete, consisting of 215 folios and includes readings for the liturgical year, Jerome's Plures fuisse and Novum opus letters, decorated canon tables, and Evangelist portraits.",
"provenance": "Freising, Germany, ca. 865-875; Germany, 19th century; Leon Gruel and Robert Engelmann, Paris, late 19th-early 20th century [mode of acquisition unknown, no.78]; Henry Walters, Baltimore, February 19, 1917 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "2nd half 9th century (Medieval)",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "19057",
"sourceUrl": "https://purl.thewalters.org/art/W.4",
"contentType": "object",
"stage": "normalized",
"title": "Freising Gospels",
"description": "This Gospel Book was written in the diocese of Freising, Germany, ca. 875. Surprisingly small for a Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art and Caroline minuscule script. The expressive and emotive quality of the Evangelist portraits, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in northern France. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in their use of interlace within the columns and of acanthus springing from the top corners. The manuscript is one of a small group of codices produced at Freising at this time, among them another Gospel Book, Munich, Bayerische Staatsbibliothek Clm 6215. It is complete, consisting of 215 folios and includes readings for the liturgical year, Jerome's Plures fuisse and Novum opus letters, decorated canon tables, and Evangelist portraits.",
"provenance": "Freising, Germany, ca. 865-875; Germany, 19th century; Leon Gruel and Robert Engelmann, Paris, late 19th-early 20th century [mode of acquisition unknown, no.78]; Henry Walters, Baltimore, February 19, 1917 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "2nd half 9th century (Medieval)",
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Document source extras
{
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"med": "ink and pigments on closely cropped parchment, ranges from thin to thick, scrape marks often visible on hair side; thicker parchment on folios with decoration; covered with German or French nineteenth-century purple velvet over coarsely woven blue canvas over beech boards, with vestiges of old manuscript pastedowns (boards probably sixteenth-century)",
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Page context
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