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Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. The combination of leisurely activities with more warrior-like occupations, such as hunting, was frequently used in the medieval Persian iconography of kingship. This is referred to as bazm wa razm, or feasting and fighting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. Two seated figures and stylized birds frame the scene. A kufic pseudo-inscription on a black band runs about the interior rim, while a naskhi inscription encircles the exterior of the bowl.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 7a3e2cf18aaf9625
- Size
- unknown
Document data
- ID
- 19082
- Core
- obj
- Type
- object
DTO data
{
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"sourceUrl": "https://purl.thewalters.org/art/48.1174",
"contentType": "object",
"stage": "normalized",
"title": "Bowl with Two Horsemen on Either Side of a Tree",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. The combination of leisurely activities with more warrior-like occupations, such as hunting, was frequently used in the medieval Persian iconography of kingship. This is referred to as bazm wa razm, or feasting and fighting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. Two seated figures and stylized birds frame the scene. A kufic pseudo-inscription on a black band runs about the interior rim, while a naskhi inscription encircles the exterior of the bowl.",
"provenance": "Dikran Kelekian, Constantinople and Paris, [date of acquisition unknown], by purchase [as found at Rhadjes]; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
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"dimensionsRaw": "Overall: 3 3/16 x 7 3/4 in. (8.1 x 19.7 cm)"
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Context sent to Scholar
Document identity
{
"localId": "19082",
"label": "Bowl with Two Horsemen on Either Side of a Tree",
"core": "obj",
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Document source metadata
{
"id": "19082",
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"contentType": "object",
"stage": "normalized",
"title": "Bowl with Two Horsemen on Either Side of a Tree",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. The combination of leisurely activities with more warrior-like occupations, such as hunting, was frequently used in the medieval Persian iconography of kingship. This is referred to as bazm wa razm, or feasting and fighting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. Two seated figures and stylized birds frame the scene. A kufic pseudo-inscription on a black band runs about the interior rim, while a naskhi inscription encircles the exterior of the bowl.",
"provenance": "Dikran Kelekian, Constantinople and Paris, [date of acquisition unknown], by purchase [as found at Rhadjes]; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
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}
Document source extras
{
"med": "fritware, turquoise underglaze, black, blue, dark green, pink, red, and whiteoverglaze enamel, with traces of gilding",
"creator_ids": [
"6768"
],
"collection_ids": [],
"exhibition_ids": [
"548"
]
}
Page context
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