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Source Description
In this subject taken from ancient Greco-Roman mythology, the beautiful hunter Adonis, mortally wounded by a wild boar, is mourned by his lover Venus, goddess of love. The tragedy is rendered with great delicacy and concentrates on the intimate moment of the last farewell. Heightened emotion is imaginatively conveyed by the turbulence of the fluttering drapery and the inherent instability of the angle at which the body rests. Superb craftsmanship in the final chasing of the surface creates rich textures and details. The composition often parallels with the artist's "Dead Christ Mourned by the Virgin" (Walters 54.1066). Soldani, who was employed by the Medici court in Florence, often designed elaborate bases for his works. This exceptional example features detailing with a hunting motif and an inscription in Latin, reading "Through love, I may resurrect," alluding to the transformation of the blood of the dying Adonis into red anemones.
Scholar Source Context
Document identity
localId
19261
label
Adonis Mourned by Venus and Cupids
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
19261
sourceUrl
contentType
object
stage
normalized
title
Adonis Mourned by Venus and Cupids
description
In this subject taken from ancient Greco-Roman mythology, the beautiful hunter Adonis, mortally wounded by a wild boar, is mourned by his lover Venus, goddess of love. The tragedy is rendered with great delicacy and concentrates on the intimate moment of the last farewell. Heightened emotion is imaginatively conveyed by the turbulence of the fluttering drapery and the inherent instability of the angle at which the body rests. Superb craftsmanship in the final chasing of the surface creates rich textures and details. The composition often parallels with the artist's "Dead Christ Mourned by the Virgin" (Walters 54.1066). Soldani, who was employed by the Medici court in Florence, often designed elaborate bases for his works. This exceptional example features detailing with a hunting motif and an inscription in Latin, reading "Through love, I may resurrect," alluding to the transformation of the blood of the dying Adonis into red anemones.
provenance
Liddell family, Ravensworth Castle, Durham; Albert, 4th Earl Grey [date and mode of acquisition unknown]; Jacques Seligmann, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1715
citationUrl
rightsUri
CC0
language
en
genreSpecific
Metal
sculpture (visual works)
imageCount
1
pageCount
1
source
import
dimensionsRaw
18 1/2 in. (47 cm)
Source extras
cul
Italian
inscriptions
[Transcription] AMORE RESURGAM
med
bronze with ebony wood base
creator_ids
4192
collection_ids
BAR
exhibition_ids
13
Single page context
seq
1
pageIndex
0
type
photo
mediaId
1b13d9cd934af7f3