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Source Description
The identical silver filigree frame on these three portraits (including 38.209 and 38.210) indicates that they are a unit, possibly a family. Nevertheless, the man's portrait was probably by a different hand than that responsible for the women's. The loose, spirited execution of the man's hair and softer modeling point to the influence of more progressive developments in life-size portraiture, in contrast to the tighter modeling and conservative dress in the portraits of the women.
Scholar Source Context
Document identity
localId
19327
label
Portrait of a Young Woman
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
19327
sourceUrl
contentType
object
stage
normalized
title
Portrait of a Young Woman
description
The identical silver filigree frame on these three portraits (including 38.209 and 38.210) indicates that they are a unit, possibly a family. Nevertheless, the man's portrait was probably by a different hand than that responsible for the women's. The loose, spirited execution of the man's hair and softer modeling point to the influence of more progressive developments in life-size portraiture, in contrast to the tighter modeling and conservative dress in the portraits of the women.
provenance
Abraham Jay Fink, Baltimore [no. A-98]; A. Jay Fink Foundation, Inc., Baltimore, 1963, by bequest; Walters Art Museum, 1963, by gift.
date
1640-1645 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Miniatures
miniatures (paintings)
imageCount
1
pageCount
1
source
import
dimensionsRaw
1 3/4 in. (4.45 cm)
Source extras
RelatedObjects
30884
39372
med
oil on metal
creator_ids
6227
collection_ids
BAR
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
d4abca1198275e4a