Ask the Scholar
Document scope · 7 pages
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. A hunter on horseback at the center of this polylobed bowl rears above a four-legged animal that has been struck down by an arrow. About the inner rim runs a kufic inscription, and a loose naskhi inscription encircles the outer rim of the bowl.
Scholar Source Context
Document identity
localId
19633
label
Bowl with Hunter
core
obj
dtoType
object
citationUrl
pageCount
7
Source metadata
id
19633
sourceUrl
contentType
object
stage
normalized
title
Bowl with Hunter
description
Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. A hunter on horseback at the center of this polylobed bowl rears above a four-legged animal that has been struck down by an arrow. About the inner rim runs a kufic inscription, and a loose naskhi inscription encircles the outer rim of the bowl.
provenance
Henry Walters, Baltimore, [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
late 12th-early 13th century (Seljuq (?))
citationUrl
rightsUri
CC0
language
en
genreSpecific
bowls (vessels)
imageCount
7
pageCount
7
source
import
dimensions
units
cm
width
9.5
height
20.8
depth
21.1
dimensionsRaw
H: 3 3/4 × W: 8 3/16 × D: 8 5/16 in. (9.5 × 20.8 × 21.1 cm)
Source extras
med
fritware, white underglaze, black, blue, brown, dark purple, pink, red, and turquoise overglaze enamel, with traces of gilding
creator_ids
6768
collection_ids
none
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
b15a819d233cc54a
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
19e8170684dcb643
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
c6b5f8a445e86656
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
4406fb0a1f1b3fff
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
c87a05f99acaab51
hasOcr
no
hasDescription
no
seq
6
type
photo
mediaId
295fd962c7592ac8
hasOcr
no
hasDescription
no
seq
7
type
photo
mediaId
3121929a96db3b1e
hasOcr
no
hasDescription
no