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Between 1778 and 1782, Sèvres manufactured for Louis XVI a series of vases with handles shaped as busts of infants, young women, and old men, hence the name "vases des âges." The Walters' examples, with the infants and a "bleu nouveau" ground color, bear classical scenes and an additional decoration of "jewels" composed of enamel drops over gold foil.The classical scenes are derived from an illustrated edition of Télémaque, a romance set in antiquity written by Fénélon in 1699. This vase shows Telemachus, the son of Ulysses, winning a chariot race. The other side of the vase has a reserve decorated with floral motifs.This vase and its pair (WAM 48.566) were designed by Jacques-François Deparis. The painting was by Antoine Caton, the gilding by Etienne-Henry Le Guay, and the jewels by Philippe Parpette.The J. Paul Getty Museum has examples of the first and second sizes. There are 23 known examples in existence.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 7f744e0f2560137b
- Size
- unknown
Document data
- ID
- 21080
- Core
- obj
- Type
- object
DTO data
{
"id": "21080",
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"contentType": "object",
"stage": "normalized",
"title": "One of a Pair of Vases (Vase des âges à têtes d'enfants)",
"description": "Between 1778 and 1782, Sèvres manufactured for Louis XVI a series of vases with handles shaped as busts of infants, young women, and old men, hence the name \"vases des âges.\" The Walters' examples, with the infants and a \"bleu nouveau\" ground color, bear classical scenes and an additional decoration of \"jewels\" composed of enamel drops over gold foil.The classical scenes are derived from an illustrated edition of Télémaque, a romance set in antiquity written by Fénélon in 1699. This vase shows Telemachus, the son of Ulysses, winning a chariot race. The other side of the vase has a reserve decorated with floral motifs.This vase and its pair (WAM 48.566) were designed by Jacques-François Deparis. The painting was by Antoine Caton, the gilding by Etienne-Henry Le Guay, and the jewels by Philippe Parpette.The J. Paul Getty Museum has examples of the first and second sizes. There are 23 known examples in existence.",
"provenance": "Louis XVI, Chateau de Versailles, November 2, 1781, by purchase [from Sèvres factory]; Rothchild Collection [date and mode of acquisition unknown] [not verified]; Collection Park Heirlooms [date and mode of acquisition unknown]; E.M. Hodgkins, Paris, no. 70 [date and mode of acquisition unknown]; A. Seligmann, Rey and Co., New York; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1778",
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}
Context sent to Scholar
Document identity
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Document source metadata
{
"id": "21080",
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"contentType": "object",
"stage": "normalized",
"title": "One of a Pair of Vases (Vase des âges à têtes d'enfants)",
"description": "Between 1778 and 1782, Sèvres manufactured for Louis XVI a series of vases with handles shaped as busts of infants, young women, and old men, hence the name \"vases des âges.\" The Walters' examples, with the infants and a \"bleu nouveau\" ground color, bear classical scenes and an additional decoration of \"jewels\" composed of enamel drops over gold foil.The classical scenes are derived from an illustrated edition of Télémaque, a romance set in antiquity written by Fénélon in 1699. This vase shows Telemachus, the son of Ulysses, winning a chariot race. The other side of the vase has a reserve decorated with floral motifs.This vase and its pair (WAM 48.566) were designed by Jacques-François Deparis. The painting was by Antoine Caton, the gilding by Etienne-Henry Le Guay, and the jewels by Philippe Parpette.The J. Paul Getty Museum has examples of the first and second sizes. There are 23 known examples in existence.",
"provenance": "Louis XVI, Chateau de Versailles, November 2, 1781, by purchase [from Sèvres factory]; Rothchild Collection [date and mode of acquisition unknown] [not verified]; Collection Park Heirlooms [date and mode of acquisition unknown]; E.M. Hodgkins, Paris, no. 70 [date and mode of acquisition unknown]; A. Seligmann, Rey and Co., New York; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
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}
Document source extras
{
"inscriptions": [
"[Repairer's Mark] Incised on the inside of the rim: B (Bono",
"Étienne Henri",
"répareur); [Gilder's Mark] Le Guay",
"Étienne Henry"
],
"med": "gilt and enamel on soft paste porcelain",
"creator_ids": [
"4150",
"2082",
"2960",
"4540",
"5429",
"1916"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
"415"
]
}
Page context
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