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Source Description
Before being purchased by the Walters Art Museum, this watercolor was last publically exhibited at the Sargent memorial exhibition at the Royal Academy, London in 1926. Sargent was probably the most distinguished late 19th-century artist of American descent. He won particular renown for his watercolors in the last two decades of his life. Sargent traveled to Spain several times, and he studied the paintings of Velasquez, which resulted in the production of some of his early masterpieces, most notably the celebrated "El Jaleo" (1882), a painting of a Spanish dancer now in the Isabella Stewart Gardner Museum, Boston. The subject of the Walter's picture is a vase from the Garden of the Andarves in the Alhambra Palace, placed there in the reign of Muhammad V (1354-91). For over four centuries the Alhambra vases were objects of admiration for travelers because of their marvelous cobalt blue and golden lustre and their unusual size. In 17th-century accounts there were at least three vases, but by the time Sargent visited only one was intact. This is now in the Museo Arqueologico de la Alhambra, known as the "Vase of the Gazelles." Although painted with considerable freedom, Sargent's watercolor is an accurate rendering, showing the antelope and tree-of-life motifs and even the puddling of glaze on the collar of the vessel.
Scholar Source Context
Document identity
localId
21891
label
The Alhambra Vase
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
21891
sourceUrl
contentType
object
stage
normalized
title
The Alhambra Vase
description
Before being purchased by the Walters Art Museum, this watercolor was last publically exhibited at the Sargent memorial exhibition at the Royal Academy, London in 1926. Sargent was probably the most distinguished late 19th-century artist of American descent. He won particular renown for his watercolors in the last two decades of his life. Sargent traveled to Spain several times, and he studied the paintings of Velasquez, which resulted in the production of some of his early masterpieces, most notably the celebrated "El Jaleo" (1882), a painting of a Spanish dancer now in the Isabella Stewart Gardner Museum, Boston. The subject of the Walter's picture is a vase from the Garden of the Andarves in the Alhambra Palace, placed there in the reign of Muhammad V (1354-91). For over four centuries the Alhambra vases were objects of admiration for travelers because of their marvelous cobalt blue and golden lustre and their unusual size. In 17th-century accounts there were at least three vases, but by the time Sargent visited only one was intact. This is now in the Museo Arqueologico de la Alhambra, known as the "Vase of the Gazelles." Although painted with considerable freedom, Sargent's watercolor is an accurate rendering, showing the antelope and tree-of-life motifs and even the puddling of glaze on the collar of the vessel.
provenance
Mrs. Francis Ormond (née Violet Sargent, the artist's sister), by gift (?); Mrs. Hugo Pitman (niece of artist), by inheritance; Walters Art Museum, 1971, by purchase from the Gertrude Stein Gallery, New York.
date
ca. 1879
citationUrl
rightsUri
CC0
language
en
genreSpecific
watercolors (paintings)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
34.2
height
25
dimensionsRaw
H: 13 7/16 x W: 9 13/16 in. (34.2 x 25 cm); Framed H: 23 1/8 × W: 19 5/8 × D: 1 3/16 in. (58.8 × 49.8 × 3 cm)
Source extras
inscriptions
[Inscription] Verso
in ink over pencil: By J.S. Sargent; [Inscription] In pencil: V.O.; [Number] In ink: 5/
med
watercolor on cream paper
creator_ids
6249
collection_ids
EAN
exhibition_ids
432
2703
525
3271
Single page context
seq
1
pageIndex
0
type
photo
mediaId
d7b7330a4f458cee