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The device at the center of this bowl is likely a variation of the arms of the Chigi family of Rome but the six “mountains” as a motif was used as well by the Montini. The sprays of foliage at the sides could refer to the delle Rovere family (branches of oak leaves) who were important patrons of the Chigi in the first half of the 1500s. The initials visible to the right and left of the coat of arms have not been identified, but likely belong to the bowl’s original owner. During the sixteenth century, many families commissioned elaborate maiolica services embellished with their heraldry. The bowl’s broad rim is decorated with patterns influenced by Islamic ceramics and metal wares that were highly sought after in Renaissance Italy. The back is painted bluish-white and decorated with spirals in luster. The bowl is painted with a luster glaze, a specialty of Giorgio Andreoli’s workshop. For more information on Giorgio Andreoli see 48.1331. To view other works by the artist and his workshop, click on his name in the “creator” field. For “maiolica” in general, see 48.1336
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- edf70dfb56e21737
- Size
- unknown
Document data
- ID
- 2307
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
"stage": "normalized",
"title": "Bowl with Coat of Arms",
"description": "The device at the center of this bowl is likely a variation of the arms of the Chigi family of Rome but the six “mountains” as a motif was used as well by the Montini. The sprays of foliage at the sides could refer to the delle Rovere family (branches of oak leaves) who were important patrons of the Chigi in the first half of the 1500s. The initials visible to the right and left of the coat of arms have not been identified, but likely belong to the bowl’s original owner. During the sixteenth century, many families commissioned elaborate maiolica services embellished with their heraldry. The bowl’s broad rim is decorated with patterns influenced by Islamic ceramics and metal wares that were highly sought after in Renaissance Italy. The back is painted bluish-white and decorated with spirals in luster. The bowl is painted with a luster glaze, a specialty of Giorgio Andreoli’s workshop. For more information on Giorgio Andreoli see 48.1331. To view other works by the artist and his workshop, click on his name in the “creator” field. For “maiolica” in general, see 48.1336",
"provenance": "Seligmann, Rey & Co, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1908, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1540-1550 (Renaissance)",
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"language": "en",
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Context sent to Scholar
Document identity
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"label": "Bowl with Coat of Arms",
"core": "obj",
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Document source metadata
{
"id": "2307",
"sourceUrl": "https://purl.thewalters.org/art/48.1485",
"contentType": "object",
"stage": "normalized",
"title": "Bowl with Coat of Arms",
"description": "The device at the center of this bowl is likely a variation of the arms of the Chigi family of Rome but the six “mountains” as a motif was used as well by the Montini. The sprays of foliage at the sides could refer to the delle Rovere family (branches of oak leaves) who were important patrons of the Chigi in the first half of the 1500s. The initials visible to the right and left of the coat of arms have not been identified, but likely belong to the bowl’s original owner. During the sixteenth century, many families commissioned elaborate maiolica services embellished with their heraldry. The bowl’s broad rim is decorated with patterns influenced by Islamic ceramics and metal wares that were highly sought after in Renaissance Italy. The back is painted bluish-white and decorated with spirals in luster. The bowl is painted with a luster glaze, a specialty of Giorgio Andreoli’s workshop. For more information on Giorgio Andreoli see 48.1331. To view other works by the artist and his workshop, click on his name in the “creator” field. For “maiolica” in general, see 48.1336",
"provenance": "Seligmann, Rey & Co, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1908, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1540-1550 (Renaissance)",
"citationUrl": "https://purl.thewalters.org/art/48.1485",
"rightsUri": "CC0",
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],
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}
Document source extras
{
"inscriptions": [
"[Transcription] On the front",
"on either side of the coat of arms",
"in black: CP / CO"
],
"med": "earthenware with tin glaze (maiolica) and luster decoration",
"creator_ids": [],
"collection_ids": [
"REN"
],
"exhibition_ids": []
}
Page context
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