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This small terracotta (clay) bust depicts a man in large bicorne (two cornered) or cocked hat, a high collar, and flowing cravat. Beginning around 1730, terracotta became a popular medium for sculptures in France. Collectors appreciated that terracotta pieces could have the quality of a sketch, equivalent to a drawing made by a painter in finalizing his work, where the artist’s process was made visible. This bust embodies these qualities and careful looking reveals tool marks and even fingerprints in the surface.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 7417a4233de37ae5
- Size
- unknown
Document data
- ID
- 23255
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Bust of a Man in a Hat",
"description": "This small terracotta (clay) bust depicts a man in large bicorne (two cornered) or cocked hat, a high collar, and flowing cravat. Beginning around 1730, terracotta became a popular medium for sculptures in France. Collectors appreciated that terracotta pieces could have the quality of a sketch, equivalent to a drawing made by a painter in finalizing his work, where the artist’s process was made visible. This bust embodies these qualities and careful looking reveals tool marks and even fingerprints in the surface.",
"provenance": "Walters Art Museum, December 1968, by purchase.",
"date": "18th or 19th Century",
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],
"dimensionsRaw": "Overall: H: 8 9/16 × W: 3 1/4 × D: 2 7/16 in. (21.8 × 8.3 × 6.2 cm)"
}
Context sent to Scholar
Document identity
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Document source metadata
{
"id": "23255",
"sourceUrl": "https://purl.thewalters.org/art/27.573",
"contentType": "object",
"stage": "normalized",
"title": "Bust of a Man in a Hat",
"description": "This small terracotta (clay) bust depicts a man in large bicorne (two cornered) or cocked hat, a high collar, and flowing cravat. Beginning around 1730, terracotta became a popular medium for sculptures in France. Collectors appreciated that terracotta pieces could have the quality of a sketch, equivalent to a drawing made by a painter in finalizing his work, where the artist’s process was made visible. This bust embodies these qualities and careful looking reveals tool marks and even fingerprints in the surface.",
"provenance": "Walters Art Museum, December 1968, by purchase.",
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}
Document source extras
{
"med": "terracotta",
"creator_ids": [
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"collection_ids": [
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Page context
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