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Source Description

Originating in the Americas, the practice of “taking snuff,” or inhaling pulverized tobacco through the nose, became a common European custom by the 17th century. Consumers of all social levels and of both sexes would carry small, airtight boxes filled with the powdered tobacco, taking a pinch whenever they needed. Over time, however, society’s elites began to purchase and commission increasingly extravagant and precious boxes. Kings and Queens would often present snuffboxes to ambassadors as diplomatic gifts and to courtiers as payment for services. Made of a variety of precious materials, including gold, enamel, semiprecious stones, lacquer, and tortoiseshell, snuffboxes were coveted and enthusiastically collected. Displaying one’s collection of prized snuffboxes or stylishly retrieving an elegant box from one’s pocket were important social rituals; these objects revealed a person’s tastes, interests, and erudition. This box has six faces, each with a transparent glass cover; the snuffbox’s owner could choose what scenes to display. Six painted scenes depicting Mediterranean ports, recalling the work of the French artist Claud-Joseph Vernet, are now in the box's frames.

Scholar Source Context

Document identity
localId
23832
label
Snuffbox with Mediterranean Scenes
core
obj
dtoType
object
pageCount
2
Source metadata
id
23832
contentType
object
stage
normalized
title
Snuffbox with Mediterranean Scenes
description
Originating in the Americas, the practice of “taking snuff,” or inhaling pulverized tobacco through the nose, became a common European custom by the 17th century. Consumers of all social levels and of both sexes would carry small, airtight boxes filled with the powdered tobacco, taking a pinch whenever they needed. Over time, however, society’s elites began to purchase and commission increasingly extravagant and precious boxes. Kings and Queens would often present snuffboxes to ambassadors as diplomatic gifts and to courtiers as payment for services. Made of a variety of precious materials, including gold, enamel, semiprecious stones, lacquer, and tortoiseshell, snuffboxes were coveted and enthusiastically collected. Displaying one’s collection of prized snuffboxes or stylishly retrieving an elegant box from one’s pocket were important social rituals; these objects revealed a person’s tastes, interests, and erudition. This box has six faces, each with a transparent glass cover; the snuffbox’s owner could choose what scenes to display. Six painted scenes depicting Mediterranean ports, recalling the work of the French artist Claud-Joseph Vernet, are now in the box's frames.
date
1771-1772
rightsUri
CC0
language
en
genreSpecific
snuffboxes
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
6.3
height
8.4
depth
3.8
dimensionsRaw
H: 2 1/2 × W: 3 5/16 × D: 1 1/2 in. (6.3 × 8.4 × 3.8 cm)
Source extras
inscriptions
[Mark] On bezel
326; [Goldsmith Mark] On interior base
lid
and side indicating the work of Pierre-Francois-Mathis de Beaulieu: crowned fleur de lis
flanked by two grains de remède above initials PMB with a five-point star; [Assayer Mark] on the interior base
lid
and side indicating Julien Alaterre: fleur fleuronne; [Warranty Mark] on interior of lid
base
and side indicating made in Paris in 1771; crowned H; [Mark of Warranty or Décharge] on bezel twice
a helmeted man; [Contremarque] on bezel
a man’s shoe.
med
gold, paint, canvas
creator_ids
16216
collection_ids
none
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
2825af554234f7b8
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
04e58fb424821428
hasOcr
no
hasDescription
no