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Source Description
Syrian seals have a diverse range of imagery drawn from Syria, Egypt, Anatolia, and Mesopotamia. This seal depicts a worshipper standing, hands raised, facing two figures, probably deities. One deity holds a staff and wears the Egyptian Atef crown, here possibly representing Osiris. A smaller goddess, possibly Hathor, stands between the figures and wears an Egyptian style crown with horns and a sun disc. An auxiliary scenes includes sphinxes, lions, birds, and a twisted knot. A crescent and disc also decorate the scene. Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.
Scholar Source Context
Document identity
localId
23894
label
Cylinder Seal with a Presentation Scene and Fantastical Animals
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
23894
sourceUrl
contentType
object
stage
normalized
title
Cylinder Seal with a Presentation Scene and Fantastical Animals
description
Syrian seals have a diverse range of imagery drawn from Syria, Egypt, Anatolia, and Mesopotamia. This seal depicts a worshipper standing, hands raised, facing two figures, probably deities. One deity holds a staff and wears the Egyptian Atef crown, here possibly representing Osiris. A smaller goddess, possibly Hathor, stands between the figures and wears an Egyptian style crown with horns and a sun disc. An auxiliary scenes includes sphinxes, lions, birds, and a twisted knot. A crescent and disc also decorate the scene. Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.
provenance
Henry Walters, Baltimore, [date and mode of acquisition unknown]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by inheritance; Joseph Brummer, Paris and New York, 1941, by purchase; Walters Art Museum, 1941, by purchase.
date
18th-17th century BCE (Old Syrian)
citationUrl
rightsUri
CC0
language
en
genreSpecific
cylinder seals
imageCount
1
pageCount
1
source
import
Source extras
cul
Syrian
med
hematite
creator_ids
3930
collection_ids
ANE
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
f0c6427a192011e9