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Inspired by the Chinese glass he had seen during a trip to Berlin, Emile Gallé began to work with opaque colored glass in 1884. Within four years, he developed a technique of working with cased (layered) glass in which Art Nouveau or Japanese-inspired designs were etched through the outer layers with acid to create inexpensively a carved cameo effect. Most of Gallé's pieces were mass-produced at the glasshouse of Burgun and Schverer in the town of Meisenthal in eastern France. Production of his works continued there after his death until World War I.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 3970fc496ce790a5
- Size
- unknown
Document data
- ID
- 24630
- Core
- obj
- Type
- object
DTO data
{
"id": "24630",
"sourceUrl": "https://purl.thewalters.org/art/47.570",
"contentType": "object",
"stage": "normalized",
"title": "Vase with Cherry Tree Branches",
"description": "Inspired by the Chinese glass he had seen during a trip to Berlin, Emile Gallé began to work with opaque colored glass in 1884. Within four years, he developed a technique of working with cased (layered) glass in which Art Nouveau or Japanese-inspired designs were etched through the outer layers with acid to create inexpensively a carved cameo effect. Most of Gallé's pieces were mass-produced at the glasshouse of Burgun and Schverer in the town of Meisenthal in eastern France. Production of his works continued there after his death until World War I.",
"provenance": "Mr. Edward F. Furman, Baltimore; Walters Art Museum, 1972, by gift.",
"date": "ca. 1900",
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"imageCount": 1,
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"source": "import",
"dimensionsRaw": "H: 14 1/2 in. (36.8 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "24630",
"label": "Vase with Cherry Tree Branches",
"core": "obj",
"dtoType": "object",
"citationUrl": "https://purl.thewalters.org/art/47.570"
}
Document source metadata
{
"id": "24630",
"sourceUrl": "https://purl.thewalters.org/art/47.570",
"contentType": "object",
"stage": "normalized",
"title": "Vase with Cherry Tree Branches",
"description": "Inspired by the Chinese glass he had seen during a trip to Berlin, Emile Gallé began to work with opaque colored glass in 1884. Within four years, he developed a technique of working with cased (layered) glass in which Art Nouveau or Japanese-inspired designs were etched through the outer layers with acid to create inexpensively a carved cameo effect. Most of Gallé's pieces were mass-produced at the glasshouse of Burgun and Schverer in the town of Meisenthal in eastern France. Production of his works continued there after his death until World War I.",
"provenance": "Mr. Edward F. Furman, Baltimore; Walters Art Museum, 1972, by gift.",
"date": "ca. 1900",
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"source": "import",
"dimensionsRaw": "H: 14 1/2 in. (36.8 cm)"
}
Document source extras
{
"med": "layered glass",
"creator_ids": [
"5937"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
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}
Page context
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