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This Book of Hours was completed for Use of Reims ca. 1450-1475 in northeastern France. The book was first owned by Collette, who is portrayed on fol. 76r with the Virgin and Child. An inscription from 1559 on the back pastedown records later ownership by female owner G. Marlot, as well as by her aunt, née Labourgue, wife of the merchant Jean Bourguet, followed by G. Marlot's daughter, Martine Marlot. There is a large amount of unusual and specifically female content in the book, including a heightened amount of prayers to the Virgin, virgins listed in the calendar and litany, as well as the unusual inclusion of the Hours of St. Catherine. The manuscript also contains charming marginalia, most famously a garden party scene in which couples play music, and even games such as backgammon, together (fol. 16r).
Page data
- Page
- 10
- Source index
- 0
- Type
- photo
- Media ID
- baf17da9460184aa
- Size
- unknown
Document data
- ID
- 24994
- Core
- obj
- Type
- object
DTO data
{
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"contentType": "object",
"stage": "normalized",
"title": "Book of Hours",
"description": "This Book of Hours was completed for Use of Reims ca. 1450-1475 in northeastern France. The book was first owned by Collette, who is portrayed on fol. 76r with the Virgin and Child. An inscription from 1559 on the back pastedown records later ownership by female owner G. Marlot, as well as by her aunt, née Labourgue, wife of the merchant Jean Bourguet, followed by G. Marlot's daughter, Martine Marlot. There is a large amount of unusual and specifically female content in the book, including a heightened amount of prayers to the Virgin, virgins listed in the calendar and litany, as well as the unusual inclusion of the Hours of St. Catherine. The manuscript also contains charming marginalia, most famously a garden party scene in which couples play music, and even games such as backgammon, together (fol. 16r).",
"provenance": "Created for Collette, northeast France, ca. 1460 [1]. Acquired by Labourgue [2], early-mid 16th century; given to G. Marlot [3], ca. 1559; given to Martine Marlot [4]. Acquired by Léon Gruel, Paris, late 19th-early 20th century; purchased by Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.[1] Portrayed on fol. 76r[2] Wife of Jean Bourguet[3] Niece of previous owner[4] Daughter of previous owner and wife of Claude Armilhon",
"date": "ca. 1460",
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"language": "en",
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"dimensionsRaw": "Folio H: 7 5/16 × W: 5 1/8 in. (18.5 × 13 cm)"
}
Context sent to Scholar
Document identity
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"label": "Book of Hours",
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Document source metadata
{
"id": "24994",
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"contentType": "object",
"stage": "normalized",
"title": "Book of Hours",
"description": "This Book of Hours was completed for Use of Reims ca. 1450-1475 in northeastern France. The book was first owned by Collette, who is portrayed on fol. 76r with the Virgin and Child. An inscription from 1559 on the back pastedown records later ownership by female owner G. Marlot, as well as by her aunt, née Labourgue, wife of the merchant Jean Bourguet, followed by G. Marlot's daughter, Martine Marlot. There is a large amount of unusual and specifically female content in the book, including a heightened amount of prayers to the Virgin, virgins listed in the calendar and litany, as well as the unusual inclusion of the Hours of St. Catherine. The manuscript also contains charming marginalia, most famously a garden party scene in which couples play music, and even games such as backgammon, together (fol. 16r).",
"provenance": "Created for Collette, northeast France, ca. 1460 [1]. Acquired by Labourgue [2], early-mid 16th century; given to G. Marlot [3], ca. 1559; given to Martine Marlot [4]. Acquired by Léon Gruel, Paris, late 19th-early 20th century; purchased by Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.[1] Portrayed on fol. 76r[2] Wife of Jean Bourguet[3] Niece of previous owner[4] Daughter of previous owner and wife of Claude Armilhon",
"date": "ca. 1460",
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}
Document source extras
{
"inscriptions": "[Inscription] In gilt lettering on upper board: Claude/Armilhon; [Inscription] In gilt lettering on lower board: Martinne/Marlot; [Inscription] In gilt lettering on spine: Heures/Gotiques",
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"med": "ink and pigments on parchment bound between boards covered with leather",
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Page context
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"seq": 10,
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"url": "https://art.thewalters.org/images/raw/CPS_W.269_Fp_DD_085_sap.jpg",
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