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The Virgin, her hands joined before her breast in an attitude of mourning, is represented as a half-length figure, facing three-quarters to the left. She wears a cobalt-blue robe, white wimple and a full blue mantle covering her head. The edge of the mantle was originally inscribed in gilding with words of the Ave Maria prayer, now effaced. Her sky-blue nimbus has a jeweled edge. The background is green, inscribed in faded gilt letters SCA MA and surrounded by a scalloped line in gilding, also very faded. The purple border following the rounded top is studded with raised "jewels" over spangles of foil. The enamel is mounted in a gilt metal frame.The style of the drawing recalls that of Walters 44.149, and suggests a rather late date in the production of the Nardon Pénicaud workshop.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 93fdafd46eb72ca2
- Size
- unknown
Document data
- ID
- 25483
- Core
- obj
- Type
- object
DTO data
{
"id": "25483",
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"contentType": "object",
"stage": "normalized",
"title": "Pax: The Virgin",
"description": "The Virgin, her hands joined before her breast in an attitude of mourning, is represented as a half-length figure, facing three-quarters to the left. She wears a cobalt-blue robe, white wimple and a full blue mantle covering her head. The edge of the mantle was originally inscribed in gilding with words of the Ave Maria prayer, now effaced. Her sky-blue nimbus has a jeweled edge. The background is green, inscribed in faded gilt letters SCA MA and surrounded by a scalloped line in gilding, also very faded. The purple border following the rounded top is studded with raised \"jewels\" over spangles of foil. The enamel is mounted in a gilt metal frame.The style of the drawing recalls that of Walters 44.149, and suggests a rather late date in the production of the Nardon Pénicaud workshop.",
"provenance": "William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1520-1525 (Renaissance)",
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"dimensionsRaw": "H: 3 1/4 x W: 2 7/16 in. (8.3 x 6.2 cm)"
}
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Document identity
{
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"label": "Pax: The Virgin",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/44.158"
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Document source metadata
{
"id": "25483",
"sourceUrl": "https://purl.thewalters.org/art/44.158",
"contentType": "object",
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"title": "Pax: The Virgin",
"description": "The Virgin, her hands joined before her breast in an attitude of mourning, is represented as a half-length figure, facing three-quarters to the left. She wears a cobalt-blue robe, white wimple and a full blue mantle covering her head. The edge of the mantle was originally inscribed in gilding with words of the Ave Maria prayer, now effaced. Her sky-blue nimbus has a jeweled edge. The background is green, inscribed in faded gilt letters SCA MA and surrounded by a scalloped line in gilding, also very faded. The purple border following the rounded top is studded with raised \"jewels\" over spangles of foil. The enamel is mounted in a gilt metal frame.The style of the drawing recalls that of Walters 44.149, and suggests a rather late date in the production of the Nardon Pénicaud workshop.",
"provenance": "William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1520-1525 (Renaissance)",
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Document source extras
{
"med": "painted enamels on copper, gilt metal frame",
"creator_ids": [
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Page context
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