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This two-panel ivory relief carving depicts the Crucifixion and Ascension of Christ. In the Crucifixion, the sun and moon and Stephaton and Longinus are reversed from their usual positions. Longinus carries a sword rather than a spear. The style is related to the Nicephoros Group. The figures in the ascension stand upright, looking upwards towards Christ, who sits in a mandorla carried by two angels. The bottom border and parts of figures in the Crucifixion scene are broken off, as are the left border and upper left corner. There are several pinholes in the upper border and ground. "AVE MARIA" has been scratched on the back and there is the impression of a seventeenth-century seal.

Page data

Page
1
Source index
0
Type
photo
Media ID
dbed7c82dd464b56
Size
unknown

Document data

ID
25978
Core
obj
Type
object
DTO data
{
    "id": "25978",
    "sourceUrl": "https://purl.thewalters.org/art/71.294",
    "contentType": "object",
    "stage": "normalized",
    "title": "Crucifixion and Ascension",
    "description": "This two-panel ivory relief carving depicts the Crucifixion and Ascension of Christ.  In the Crucifixion, the sun and moon and Stephaton and Longinus are reversed from their usual positions.  Longinus carries a sword rather than a spear.  The style is related to the Nicephoros Group.  The figures in the ascension stand upright, looking upwards towards Christ, who sits in a mandorla carried by two angels.  The bottom border and parts of figures in the Crucifixion scene are broken off, as are the left border and upper left corner.  There are several pinholes in the upper border and ground.  \"AVE MARIA\" has been scratched on the back and there is the impression of a seventeenth-century seal.",
    "provenance": "Bastini Collection; Count Gregoire Stroganoff (Grigorii Sergeevich Stroganov), Rome, prior to 1900, by purchase [his cat. 117]; Henri Daguerre, Paris [date of acquisition unknown], by purchase; Henry Walters, Baltimore, 1920, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "10th century (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/71.294",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Ivory & Bone",
        "plaques (flat objects)",
        "icons"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_71.294_Fnt_BW_H46.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_71.294_Fnt_BW_H46.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_71.294_Fnt_BW_H46.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 23.7,
            "height": 12.5,
            "depth": 0.8
        }
    ],
    "dimensionsRaw": "H: 9 5/16 x W: 4 15/16 x D: 5/16 in. (23.65 x 12.5 x 0.8 cm)"
}

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Document identity
{
    "localId": "25978",
    "label": "Crucifixion and Ascension",
    "core": "obj",
    "dtoType": "object",
    "citationUrl": "https://purl.thewalters.org/art/71.294"
}
Document source metadata
{
    "id": "25978",
    "sourceUrl": "https://purl.thewalters.org/art/71.294",
    "contentType": "object",
    "stage": "normalized",
    "title": "Crucifixion and Ascension",
    "description": "This two-panel ivory relief carving depicts the Crucifixion and Ascension of Christ.  In the Crucifixion, the sun and moon and Stephaton and Longinus are reversed from their usual positions.  Longinus carries a sword rather than a spear.  The style is related to the Nicephoros Group.  The figures in the ascension stand upright, looking upwards towards Christ, who sits in a mandorla carried by two angels.  The bottom border and parts of figures in the Crucifixion scene are broken off, as are the left border and upper left corner.  There are several pinholes in the upper border and ground.  \"AVE MARIA\" has been scratched on the back and there is the impression of a seventeenth-century seal.",
    "provenance": "Bastini Collection; Count Gregoire Stroganoff (Grigorii Sergeevich Stroganov), Rome, prior to 1900, by purchase [his cat. 117]; Henri Daguerre, Paris [date of acquisition unknown], by purchase; Henry Walters, Baltimore, 1920, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "10th century (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/71.294",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Ivory & Bone",
        "plaques (flat objects)",
        "icons"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PL7_71.294_Fnt_BW_H46.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PL7_71.294_Fnt_BW_H46.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_71.294_Fnt_BW_H46.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 23.7,
            "height": 12.5,
            "depth": 0.8
        }
    ],
    "dimensionsRaw": "H: 9 5/16 x W: 4 15/16 x D: 5/16 in. (23.65 x 12.5 x 0.8 cm)"
}
Document source extras
{
    "cul": "Byzantine",
    "inscriptions": "[Mark] Scratched on back: AVE MARIA; [Seal] Impression of a seventeenth-century seal",
    "dynasty": "Macedonian Dynasty",
    "med": "ivory (elephant)",
    "creator_ids": [
        "6640"
    ],
    "collection_ids": [
        "BYZ"
    ],
    "exhibition_ids": [
        "358",
        "2525"
    ]
}
Page context
{
    "seq": 1,
    "pageIndex": 0,
    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL7_71.294_Fnt_BW_H46.jpg",
    "mediaId": "dbed7c82dd464b56"
}