Ask the Scholar
Page 4 of 8
I can add historical knowledge about this page.
Page image
Document source description
Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. A kufic inscription in blue encircles the interior rim of the bowl, and a loose naskhi inscription adorns the exterior rim.
Page data
- Page
- 4
- Source index
- 0
- Type
- photo
- Media ID
- 7cc9413b458d8f1b
- Size
- unknown
Document data
- ID
- 26238
- Core
- obj
- Type
- object
DTO data
{
"id": "26238",
"sourceUrl": "https://purl.thewalters.org/art/48.1166",
"contentType": "object",
"stage": "normalized",
"title": "Bowl with Horsemen Flanking a Tree",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. A kufic inscription in blue encircles the interior rim of the bowl, and a loose naskhi inscription adorns the exterior rim.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
"citationUrl": "https://purl.thewalters.org/art/48.1166",
"rightsUri": "CC0",
"language": "en",
"genreSpecific": [
"bowls (vessels)"
],
"iiifBase": "https://art.thewalters.org/images/art/PS1_48.1166_3Qtr_DD_T17-tms.jpg",
"thumbnailUrl": "https://art.thewalters.org/images/art/PS1_48.1166_3Qtr_DD_T17-tms.jpg",
"largeImageUrl": "https://art.thewalters.org/images/art/PS1_48.1166_3Qtr_DD_T17-tms.jpg",
"imageCount": 8,
"pageCount": 8,
"source": "import",
"dimensions": [
{
"units": "cm",
"width": 8.1,
"height": 19.4
}
],
"dimensionsRaw": "H: 3 3/16 × W: 7 5/8 in. (8.1 × 19.4 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "26238",
"label": "Bowl with Horsemen Flanking a Tree",
"core": "obj",
"dtoType": "object",
"citationUrl": "https://purl.thewalters.org/art/48.1166"
}
Document source metadata
{
"id": "26238",
"sourceUrl": "https://purl.thewalters.org/art/48.1166",
"contentType": "object",
"stage": "normalized",
"title": "Bowl with Horsemen Flanking a Tree",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. A kufic inscription in blue encircles the interior rim of the bowl, and a loose naskhi inscription adorns the exterior rim.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
"citationUrl": "https://purl.thewalters.org/art/48.1166",
"rightsUri": "CC0",
"language": "en",
"genreSpecific": [
"bowls (vessels)"
],
"iiifBase": "https://art.thewalters.org/images/art/PS1_48.1166_3Qtr_DD_T17-tms.jpg",
"thumbnailUrl": "https://art.thewalters.org/images/art/PS1_48.1166_3Qtr_DD_T17-tms.jpg",
"largeImageUrl": "https://art.thewalters.org/images/art/PS1_48.1166_3Qtr_DD_T17-tms.jpg",
"imageCount": 8,
"pageCount": 8,
"source": "import",
"dimensions": [
{
"units": "cm",
"width": 8.1,
"height": 19.4
}
],
"dimensionsRaw": "H: 3 3/16 × W: 7 5/8 in. (8.1 × 19.4 cm)"
}
Document source extras
{
"med": "fritware, white underglaze, black, blue, brown, red, and turquoise overglaze enamel",
"creator_ids": [
"6768"
],
"collection_ids": [],
"exhibition_ids": []
}
Page context
{
"seq": 4,
"pageIndex": 0,
"type": "photo",
"url": "https://art.thewalters.org/images/raw/PS1_48.1166_ProfC_DD_T17-tms.jpg",
"mediaId": "7cc9413b458d8f1b"
}