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Source Description

Carved in low relief, this plaque was probably made to decorate a small casket. It is based on an engraving by Barthel Beham (1502–40) entitled by the artist RAPTUS / HELENAE (The Abduction of Helen). The subject here, however, is not the abduction of Queen Helen by the Trojan prince Paris (calling for princely attire) but a generic "battle of wild men," itself a popular Renaissance subject. The artist may have given some of the abductors African facial features to make them look more savage to European viewers.

Scholar Source Context

Document identity
localId
2633
label
Plaque with a Battle of Naked Men over the Abduction of a Woman
core
obj
dtoType
object
pageCount
2
Source metadata
id
2633
contentType
object
stage
normalized
title
Plaque with a Battle of Naked Men over the Abduction of a Woman
description
Carved in low relief, this plaque was probably made to decorate a small casket. It is based on an engraving by Barthel Beham (1502–40) entitled by the artist RAPTUS / HELENAE (The Abduction of Helen). The subject here, however, is not the abduction of Queen Helen by the Trojan prince Paris (calling for princely attire) but a generic "battle of wild men," itself a popular Renaissance subject. The artist may have given some of the abductors African facial features to make them look more savage to European viewers.
provenance
Sir Thomas D. Gibson. Carmichael Sale, Christie's, London, May 12, 1902, no. 5; Harding, New York; Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.
date
1550-1575 (Late Renaissance)
rightsUri
CC0
language
en
genreSpecific
Ivory & Bone
plaques
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
4
height
13.2
depth
0.5
dimensionsRaw
H: 1 9/16 × W: 5 3/16 × D: 3/16 in. (4 × 13.2 × 0.5 cm)
Source extras
med
ivory
creator_ids
6211
16513
collection_ids
BAR
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
c1e0da33aa64cb8b
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
119ef03d5a8b4b59
hasOcr
no
hasDescription
no