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The Wedgwood factory gave Susannah Margaretta (Daisy) Makeig-Jones (1881-1945) her own design studio in 1915. Drawing on her early love of fairy stories, she introduced an imaginative line of decorative wares that remained popular throughout the 1920s. This particular design was introduced in 1924. Engravers transferred Makeig-Jones's designs to copper plates for printing onto paper sheets known as pottery tissues. While the ink was still wet on the pottery tissues, the images were rubbed onto the ceramic surfaces. Women painters then applied the colors to these designs on the ceramics, a process that necessitated several firings, and then added the colorful glazes. The gold details were added last.

Page data

Page
1
Source index
0
Type
photo
Media ID
337139b41ae598bd
Size
unknown

Document data

ID
2659
Core
obj
Type
object
DTO data
{
    "id": "2659",
    "sourceUrl": "https://purl.thewalters.org/art/48.2754",
    "contentType": "object",
    "stage": "normalized",
    "title": "Plate Showing Imps on a Bridge and Tree House",
    "description": "The Wedgwood factory gave Susannah Margaretta (Daisy) Makeig-Jones (1881-1945) her own design studio in 1915. Drawing on her early love of fairy stories, she introduced an imaginative line of decorative wares that remained popular throughout the 1920s. This particular design was introduced in 1924. Engravers transferred Makeig-Jones's designs to copper plates for printing onto paper sheets known as pottery tissues. While the ink was still wet on the pottery tissues, the images were rubbed onto the ceramic surfaces. Women painters then applied the colors to these designs on the ceramics, a process that necessitated several firings, and then added the colorful glazes. The gold details were added last.",
    "provenance": "Lev Kaplan, New York; Mrs. Arthur J. Gutman, Baltimore; Walters Art Museum, 2002, by gift.",
    "date": "1924-1930",
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    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_48.2754_Fnt_TR_T02IV.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensionsRaw": "13 in. (33.02 cm) (diam.) approx."
}

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Document identity
{
    "localId": "2659",
    "label": "Plate Showing Imps on a Bridge and Tree House",
    "core": "obj",
    "dtoType": "object",
    "citationUrl": "https://purl.thewalters.org/art/48.2754"
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Document source metadata
{
    "id": "2659",
    "sourceUrl": "https://purl.thewalters.org/art/48.2754",
    "contentType": "object",
    "stage": "normalized",
    "title": "Plate Showing Imps on a Bridge and Tree House",
    "description": "The Wedgwood factory gave Susannah Margaretta (Daisy) Makeig-Jones (1881-1945) her own design studio in 1915. Drawing on her early love of fairy stories, she introduced an imaginative line of decorative wares that remained popular throughout the 1920s. This particular design was introduced in 1924. Engravers transferred Makeig-Jones's designs to copper plates for printing onto paper sheets known as pottery tissues. While the ink was still wet on the pottery tissues, the images were rubbed onto the ceramic surfaces. Women painters then applied the colors to these designs on the ceramics, a process that necessitated several firings, and then added the colorful glazes. The gold details were added last.",
    "provenance": "Lev Kaplan, New York; Mrs. Arthur J. Gutman, Baltimore; Walters Art Museum, 2002, by gift.",
    "date": "1924-1930",
    "citationUrl": "https://purl.thewalters.org/art/48.2754",
    "rightsUri": "CC0",
    "language": "en",
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    "thumbnailUrl": "https://art.thewalters.org/images/art/PL1_48.2754_Fnt_TR_T02IV.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_48.2754_Fnt_TR_T02IV.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensionsRaw": "13 in. (33.02 cm) (diam.) approx."
}
Document source extras
{
    "med": "lusterware",
    "creator_ids": [
        "6011",
        "3106"
    ],
    "collection_ids": [
        "EAN"
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    "exhibition_ids": []
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Page context
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