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Source Description

Giorgio di Pietro Andreoli, better known in his own time as Maestro Giorgio, was born in northern Italy in the later 1460s and established a workshop in Gubbio about 1490. He became renowned for the gold and red metallic lusters the shop employed to embellish the tin-glazed maiolica wares they had created themselves or which frequently came to them for adornment from other painters. As though in competition with the latter, Andreoli's signature frequently appears on the back of the pieces that passed through his shop (though not in this case). To fill the great demand for lusterware, Maestro Giorgio's shop produced stock pieces, and this bowl is probably such an example. It is typical of his early production in its use of stylized plant forms and widely popular symbolic imagery--here a pierced heart--all enlivened by the extensive use of gold-colored luster that adds a luxurious surface quality to the piece. For more on earthenware and luster, see no. 48.2111.For more on maiolica, see no. 48.1336.For additional pieces from the workshop of Giorgio Andreoli, click on his name in the "creator" field.

Scholar Source Context

Document identity
localId
2687
label
Bowl with Crowned Pierced Heart
core
obj
dtoType
object
pageCount
2
Source metadata
id
2687
contentType
object
stage
normalized
title
Bowl with Crowned Pierced Heart
description
Giorgio di Pietro Andreoli, better known in his own time as Maestro Giorgio, was born in northern Italy in the later 1460s and established a workshop in Gubbio about 1490. He became renowned for the gold and red metallic lusters the shop employed to embellish the tin-glazed maiolica wares they had created themselves or which frequently came to them for adornment from other painters. As though in competition with the latter, Andreoli's signature frequently appears on the back of the pieces that passed through his shop (though not in this case). To fill the great demand for lusterware, Maestro Giorgio's shop produced stock pieces, and this bowl is probably such an example. It is typical of his early production in its use of stylized plant forms and widely popular symbolic imagery--here a pierced heart--all enlivened by the extensive use of gold-colored luster that adds a luxurious surface quality to the piece. For more on earthenware and luster, see no. 48.2111.For more on maiolica, see no. 48.1336.For additional pieces from the workshop of Giorgio Andreoli, click on his name in the "creator" field.
provenance
T. B. Clarke [date and mode of acquisition unknown] [no. 660]; Henry Walters, Baltimore, American Art Galleries, New York, Jan. 3, 1917, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1510-1520 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Ceramics
bowls (vessels)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
8
height
21
dimensionsRaw
3 1/8 x 8 1/4 in. (8 x 21 cm)
Source extras
med
earthenware with tin glaze (maiolica) and luster decoration
creator_ids
6355
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
c217386c21c15fe3
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
1e2ecae42ec3770c
hasOcr
no
hasDescription
no