Ask the Scholar
Document scope · 1 page
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
Veracruz sculpture is among the most admired of ancient Mesoamerica yet its study has long been subsumed under the aegis of the highly visible Teotihuacan and Maya civilizations. Veracruz refers to the central Gulf Coast of Mexico and has served loosley as a stylistic designation for all art eminating from the region. Its art reflects the influences of both Teotihuacan and Maya as well as a distinct aesthetic that developed locally. Ceramic sculpture reaches its greatest expression during the Late Classic. Life-size figures from El Zapotal, Remojadas "smiling figures," pull-toy animals on wheels, and helmeted warriors with removable armor are but a few of the creative forms known. Seemingly free from the constraints of their neighboring super powers, Veracruz ceramicists sculpted naturalistic, highly animated human figures, animals and supernaturals. Facial expressions and disctinct hand gestures are the most striking features of figural ceramics.This double-chambered vessel combines a simple flask with the body of a monkey, and can aptly be described as an effigy bottle. The elaborate scroll patterning in the cartouches is most closely associated with the art of Classic Veracruz, where the vessel is said to originate.
Scholar Source Context
Document identity
localId
26908
label
Double-Chambered Vessel with Monkey
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
26908
sourceUrl
contentType
object
stage
normalized
title
Double-Chambered Vessel with Monkey
description
Veracruz sculpture is among the most admired of ancient Mesoamerica yet its study has long been subsumed under the aegis of the highly visible Teotihuacan and Maya civilizations. Veracruz refers to the central Gulf Coast of Mexico and has served loosley as a stylistic designation for all art eminating from the region. Its art reflects the influences of both Teotihuacan and Maya as well as a distinct aesthetic that developed locally. Ceramic sculpture reaches its greatest expression during the Late Classic. Life-size figures from El Zapotal, Remojadas "smiling figures," pull-toy animals on wheels, and helmeted warriors with removable armor are but a few of the creative forms known. Seemingly free from the constraints of their neighboring super powers, Veracruz ceramicists sculpted naturalistic, highly animated human figures, animals and supernaturals. Facial expressions and disctinct hand gestures are the most striking features of figural ceramics.This double-chambered vessel combines a simple flask with the body of a monkey, and can aptly be described as an effigy bottle. The elaborate scroll patterning in the cartouches is most closely associated with the art of Classic Veracruz, where the vessel is said to originate.
provenance
Raul Kamffer, Mexico City, 1967; Agueda Hernandez, Nyack, New York, 1981 [mode of acquisition unknown]; Claudia Lord Stokes, New York [date of acquisition unknown], by bequest; Walters Art Museum, 2003, by gift.
date
ca. 600-900 (Late Classic)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
vessels
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
22.5
height
25
depth
12
dimensionsRaw
8 7/8 x 9 13/16 x 4 3/4 in. (22.5 x 25 x 12 cm)
Source extras
cul
Veracruz
style
Veracruz
med
earthenware
creator_ids
21324
collection_ids
AME
exhibition_ids
2755
Single page context
seq
1
pageIndex
0
type
photo
mediaId
9b8a526c81a4d4a2