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This richly illuminated Book of Hours was produced ca. 1460 in Bruges by an artist in the circle of Willem Vrelant, whose work was influenced by the Masters of the Gold Scrolls and Master of the Beady Eyes. Allusions to the order of Franciscans and Augustinians in the litany and calendar, and the prominent depiction of female saints in the All Saints miniature (fol. 293r) indicate that the book was originally created for a female patron, possibly connected to one of these orders. Much of the existing scholarship on the book's twenty-two full-page miniatures has focused on the depictions of angelic musicians, such as those found on fol. 278v. Also of interest is the presence of multiple pilgrimage badge impressions on the final folio (fol. 295v).

Page data

Page
1
Source index
0
Type
photo
Media ID
52d0f488856792ec
Size
unknown

Document data

ID
27297
Core
obj
Type
object
DTO data
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    "id": "27297",
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    "contentType": "object",
    "stage": "normalized",
    "title": "Book of Hours",
    "description": "This richly illuminated Book of Hours was produced ca. 1460 in Bruges by an artist in the circle of Willem Vrelant, whose work was influenced by the Masters of the Gold Scrolls and Master of the Beady Eyes. Allusions to the order of Franciscans and Augustinians in the litany and calendar, and the prominent depiction of female saints in the All Saints miniature (fol. 293r) indicate that the book was originally created for a female patron, possibly connected to one of these orders. Much of the existing scholarship on the book's twenty-two full-page miniatures has focused on the depictions of angelic musicians, such as those found on fol. 278v. Also of interest is the presence of multiple pilgrimage badge impressions on the final folio (fol. 295v).",
    "provenance": "Purchased by Henry Walters, Baltimore, late 19th-early 20th century; by bequest to Walters Art Museum, 1931.",
    "date": "ca. 1460",
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        }
    ],
    "dimensionsRaw": "Folio H: 4 13/16 × W: 3 7/16 in. (12.2 × 8.8 cm)"
}

Context sent to Scholar

Document identity
{
    "localId": "27297",
    "label": "Book of Hours",
    "core": "obj",
    "dtoType": "object",
    "citationUrl": "https://purl.thewalters.org/art/W.186"
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Document source metadata
{
    "id": "27297",
    "sourceUrl": "https://purl.thewalters.org/art/W.186",
    "contentType": "object",
    "stage": "normalized",
    "title": "Book of Hours",
    "description": "This richly illuminated Book of Hours was produced ca. 1460 in Bruges by an artist in the circle of Willem Vrelant, whose work was influenced by the Masters of the Gold Scrolls and Master of the Beady Eyes. Allusions to the order of Franciscans and Augustinians in the litany and calendar, and the prominent depiction of female saints in the All Saints miniature (fol. 293r) indicate that the book was originally created for a female patron, possibly connected to one of these orders. Much of the existing scholarship on the book's twenty-two full-page miniatures has focused on the depictions of angelic musicians, such as those found on fol. 278v. Also of interest is the presence of multiple pilgrimage badge impressions on the final folio (fol. 295v).",
    "provenance": "Purchased by Henry Walters, Baltimore, late 19th-early 20th century; by bequest to Walters Art Museum, 1931.",
    "date": "ca. 1460",
    "citationUrl": "https://purl.thewalters.org/art/W.186",
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    "largeImageUrl": "https://art.thewalters.org/images/art/CPS_W.186_Fnt_DD_0001_sap.jpg",
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    ],
    "dimensionsRaw": "Folio H: 4 13/16 × W: 3 7/16 in. (12.2 × 8.8 cm)"
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Document source extras
{
    "inscriptions": "[Inscription] In pencil on front flyleaf recto: MR577",
    "med": "ink and pigments on parchment bound between boards covered with leather",
    "creator_ids": [
        "6505",
        "8629",
        "2885",
        "34149"
    ],
    "collection_ids": [
        "MED",
        "MSS"
    ],
    "exhibition_ids": [
        "2377"
    ]
}
Page context
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