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The panel shows Christ in Majesty, seated on the throne, holding the Gospels, and making the gesture of teaching with his right hand. On the background of his mandorla is inscribed: EGO S(UM) (I)S Q(U)I S(U)M (I am that I am, Exodus 3:14). At the corners are the symbols of the four Evangelists: top, the Man of Matthew and the Eagle of John; bottom, the Lion of Mark and the Ox of Luke.Many examples of the type in ivory, metalwork, and enamel descend from models like the ivory book cover of Abbot Notger, datable to about 982. The ivory is closely paralleled by the silver book cover of the Evangelary of Anastasia in Warsaw of Mosan origin and datable to the 3rd quarter of the 12th century, made in the region of Liege.The panel was intended for a book cover, but was reused, as the three holes indicate. It is considerably rubbed from use, and shows evidence of brown stain.

Page data

Page
1
Source index
0
Type
photo
Media ID
863ab3a1e7a34495
Size
unknown

Document data

ID
27728
Core
obj
Type
object
DTO data
{
    "id": "27728",
    "sourceUrl": "https://purl.thewalters.org/art/71.220",
    "contentType": "object",
    "stage": "normalized",
    "title": "Christ in Majesty",
    "description": "The panel shows Christ in Majesty, seated on the throne, holding the Gospels, and making the gesture of teaching with his right hand. On the background of his mandorla is inscribed: EGO S(UM) (I)S Q(U)I S(U)M (I am that I am, Exodus 3:14). At the corners are the symbols of the four Evangelists: top, the Man of Matthew and the Eagle of John; bottom, the Lion of Mark and the Ox of Luke.Many examples of the type in ivory, metalwork, and enamel descend from models like the ivory book cover of Abbot Notger, datable to about 982. The ivory is closely paralleled by the silver book cover of the Evangelary of Anastasia in Warsaw of Mosan origin and datable to the 3rd quarter of the 12th century, made in the region of Liege.The panel was intended for a book cover, but was reused, as the three holes indicate. It is considerably rubbed from use, and shows evidence of brown stain.",
    "provenance": "Léon Gruel, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "mid 12th century (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/71.220",
    "rightsUri": "CC0",
    "language": "en",
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        "Ivory & Bone",
        "plaques (flat objects)"
    ],
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    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_71.220_Fnt_BW_H52.jpg",
    "imageCount": 1,
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    "source": "import",
    "dimensions": [
        {
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        }
    ],
    "dimensionsRaw": "H: 5 1/2 x W: 3 1/8 in. (14 x 8 cm)"
}

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Document identity
{
    "localId": "27728",
    "label": "Christ in Majesty",
    "core": "obj",
    "dtoType": "object",
    "citationUrl": "https://purl.thewalters.org/art/71.220"
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Document source metadata
{
    "id": "27728",
    "sourceUrl": "https://purl.thewalters.org/art/71.220",
    "contentType": "object",
    "stage": "normalized",
    "title": "Christ in Majesty",
    "description": "The panel shows Christ in Majesty, seated on the throne, holding the Gospels, and making the gesture of teaching with his right hand. On the background of his mandorla is inscribed: EGO S(UM) (I)S Q(U)I S(U)M (I am that I am, Exodus 3:14). At the corners are the symbols of the four Evangelists: top, the Man of Matthew and the Eagle of John; bottom, the Lion of Mark and the Ox of Luke.Many examples of the type in ivory, metalwork, and enamel descend from models like the ivory book cover of Abbot Notger, datable to about 982. The ivory is closely paralleled by the silver book cover of the Evangelary of Anastasia in Warsaw of Mosan origin and datable to the 3rd quarter of the 12th century, made in the region of Liege.The panel was intended for a book cover, but was reused, as the three holes indicate. It is considerably rubbed from use, and shows evidence of brown stain.",
    "provenance": "Léon Gruel, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "mid 12th century (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/71.220",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
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    "largeImageUrl": "https://art.thewalters.org/images/art/PL7_71.220_Fnt_BW_H52.jpg",
    "imageCount": 1,
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    "source": "import",
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            "height": 8
        }
    ],
    "dimensionsRaw": "H: 5 1/2 x W: 3 1/8 in. (14 x 8 cm)"
}
Document source extras
{
    "cul": "Medieval European",
    "inscriptions": "[Transcription] EGO S(UM) (I)S Q(U) I SU(M); [Translation] I am that I am",
    "med": "ivory",
    "creator_ids": [
        "6505"
    ],
    "collection_ids": [
        "MED"
    ],
    "exhibition_ids": []
}
Page context
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    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PL7_71.220_Fnt_BW_H52.jpg",
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