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The Latin text on the bottom inscribed in gilt reads, "Christ, rising from the dead and returning to heaven, triumphs over Satan, lord of this world, through His love for mankind." Based on an engraving dated 1588 by Anton Wierix (ca. 1555-1604) after the Flemish painter Martin de Vos (1532-1603), this plaque, with its original frame, is a companion to Limosin's "Plaque with the Annunciation" (44.346). Together they mark the beginning and the end of Christ's earthly existence.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 57946c859ba32164
- Size
- unknown
Document data
- ID
- 28164
- Core
- obj
- Type
- object
DTO data
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"title": "Plaque with the Resurrection of Christ",
"description": "The Latin text on the bottom inscribed in gilt reads, \"Christ, rising from the dead and returning to heaven, triumphs over Satan, lord of this world, through His love for mankind.\" Based on an engraving dated 1588 by Anton Wierix (ca. 1555-1604) after the Flemish painter Martin de Vos (1532-1603), this plaque, with its original frame, is a companion to Limosin's \"Plaque with the Annunciation\" (44.346). Together they mark the beginning and the end of Christ's earthly existence.",
"provenance": "Formerly in a château near Montauban, France; Henri Daguerre, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "1605 (Baroque)",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "28164",
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"contentType": "object",
"stage": "normalized",
"title": "Plaque with the Resurrection of Christ",
"description": "The Latin text on the bottom inscribed in gilt reads, \"Christ, rising from the dead and returning to heaven, triumphs over Satan, lord of this world, through His love for mankind.\" Based on an engraving dated 1588 by Anton Wierix (ca. 1555-1604) after the Flemish painter Martin de Vos (1532-1603), this plaque, with its original frame, is a companion to Limosin's \"Plaque with the Annunciation\" (44.346). Together they mark the beginning and the end of Christ's earthly existence.",
"provenance": "Formerly in a château near Montauban, France; Henri Daguerre, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"med": "painted enamel on copper, gilding",
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Page context
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