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In early modern Europe, the earth was generally understood to be divided into four parts: Europe, America, Asia, and Africa. From the 1500s to the 1800s, the symbolic depiction (“allegory”) of these four geographical areas was widely popular and often known as “The Allegory of the Four Continents.” Artists used generalized representations of men and women holding or wearing items that European viewers understood to represent the “continent” or part of the world from which they came. In this grouping the figure of Europe contrasts markedly in complexity with the others, of which the artist and his patrons knew much less.Europe: Jupiter, the king of the gods in Greco-Roman mythology, crowns Bellona, the goddess of war. Jupiter’s eagle rests on objects used in war: canon, shield, and drum. Europe is thereby represented as being the leader of the world through her military prowess. The figure of Religion on the ground is meant to stress that the Christian faith is the foundation of Europe’s superior position. Little is known about Francesco Bertos, a highly original artist who created a considerable number of complicated pyramidal groups in a distinctive, ingenious style that mirrors the lightness and airiness of contemporary Rococo painting in France.