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Source Description

The white cravat and the grand fur collar of the light brown coat handsomely set off the face of this elderly man with a shock of white hair. At the beginning of the 20th century, Baron N. Vrangel, a leading critic, wrote of Rossi's work, "Rarely did a master of his time transmit so exactly and intelligently, so beautifully and clearly, not only type of his epoch, but also the individuality of each face depicted," ("Ocherki po istorii miniatory v Rossii," in "Starye gody" (October 1909), p. 546). Pietro de Rossi was one of the leading miniaturists of his day. He attended the class on enamel miniatures taught by Petr Zharkov at the Academy of Arts, and although he was already painting in the 18th century, none of his miniatures from that period are known. In 1813 he was named Academician for a miniature of the sculptor Ivan Martos. In an exhibition at the Academy that year he exhibited five miniatures.See Notes field

Scholar Source Context

Document identity
localId
28845
label
Portrait of an Elderly Man
core
obj
dtoType
object
pageCount
2
Source metadata
id
28845
contentType
object
stage
normalized
title
Portrait of an Elderly Man
description
The white cravat and the grand fur collar of the light brown coat handsomely set off the face of this elderly man with a shock of white hair. At the beginning of the 20th century, Baron N. Vrangel, a leading critic, wrote of Rossi's work, "Rarely did a master of his time transmit so exactly and intelligently, so beautifully and clearly, not only type of his epoch, but also the individuality of each face depicted," ("Ocherki po istorii miniatory v Rossii," in "Starye gody" (October 1909), p. 546). Pietro de Rossi was one of the leading miniaturists of his day. He attended the class on enamel miniatures taught by Petr Zharkov at the Academy of Arts, and although he was already painting in the 18th century, none of his miniatures from that period are known. In 1813 he was named Academician for a miniature of the sculptor Ivan Martos. In an exhibition at the Academy that year he exhibited five miniatures.See Notes field
provenance
William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1811
rightsUri
CC0
language
en
genreSpecific
Miniatures
miniatures (paintings)
portraits
imageCount
2
pageCount
2
source
import
dimensionsRaw
Diam: 3 1/16 in. (7.8 cm)
Source extras
inscriptions
[Signature] on back: Pietro de Rossi fecit Mosca 1811
med
gold, enamel on copper
creator_ids
3704
collection_ids
EAN
exhibition_ids
956
Page inventory
seq
1
type
photo
mediaId
3982b3f5e73e29d1
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
ce2aa58c404b3385
hasOcr
no
hasDescription
no