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Cistae were containers used to safeguard precious objects, including mirrors, perfume flasks, and cosmetics. A particular type of cista was made during the 4th to 3rd centuries BCE in Praeneste, a site in Latium (the region around Rome) that was heavily influenced by Etruscan culture. The elaborately engraved scenes are thought to imitate famous, but now lost, Greek wall-paintings. The ancient metalworker often pressed a white substance into the engraved lines in order to accentuate the decoration. The handles commonly take the form of human figures. Many artists in other early Italian cultures similarly incorporated figures of humans in functional objects. A scene of warriors assembled within a large palace or hall is a common decoration on cistae. On the front, at left are two running figures carrying shields; an eagle flies over the left figure. Three helmeted warriors appear to the right. On the back is a seated young man, his armor gathered around him and a horse at ready nearby. A satyr and a maenad with their arms intertwined form the lid's handle. The vessel's feet have the four toes of a lion but are shaped like a bird's claws; each is topped by winged youth.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 96d619d4fb4e96d3
- Size
- unknown
Document data
- ID
- 28925
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Cista Depicting an Assembly of Warriors",
"description": "Cistae were containers used to safeguard precious objects, including mirrors, perfume flasks, and cosmetics. A particular type of cista was made during the 4th to 3rd centuries BCE in Praeneste, a site in Latium (the region around Rome) that was heavily influenced by Etruscan culture. The elaborately engraved scenes are thought to imitate famous, but now lost, Greek wall-paintings. The ancient metalworker often pressed a white substance into the engraved lines in order to accentuate the decoration. The handles commonly take the form of human figures. Many artists in other early Italian cultures similarly incorporated figures of humans in functional objects. A scene of warriors assembled within a large palace or hall is a common decoration on cistae. On the front, at left are two running figures carrying shields; an eagle flies over the left figure. Three helmeted warriors appear to the right. On the back is a seated young man, his armor gathered around him and a horse at ready nearby. A satyr and a maenad with their arms intertwined form the lid's handle. The vessel's feet have the four toes of a lion but are shaped like a bird's claws; each is topped by winged youth.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "4th-3rd century BCE (Late Classical-Hellenistic)",
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"dimensionsRaw": "H: 16 1/8 x Diam: 9 5/8 in. (41 x 24.5 cm); Cylinder H with out legs: 9 5/8 in. (24.4 cm); H without Lid: 10 15/16 in. (27.8 cm)"
}
Context sent to Scholar
Document identity
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Document source metadata
{
"id": "28925",
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"contentType": "object",
"stage": "normalized",
"title": "Cista Depicting an Assembly of Warriors",
"description": "Cistae were containers used to safeguard precious objects, including mirrors, perfume flasks, and cosmetics. A particular type of cista was made during the 4th to 3rd centuries BCE in Praeneste, a site in Latium (the region around Rome) that was heavily influenced by Etruscan culture. The elaborately engraved scenes are thought to imitate famous, but now lost, Greek wall-paintings. The ancient metalworker often pressed a white substance into the engraved lines in order to accentuate the decoration. The handles commonly take the form of human figures. Many artists in other early Italian cultures similarly incorporated figures of humans in functional objects. A scene of warriors assembled within a large palace or hall is a common decoration on cistae. On the front, at left are two running figures carrying shields; an eagle flies over the left figure. Three helmeted warriors appear to the right. On the back is a seated young man, his armor gathered around him and a horse at ready nearby. A satyr and a maenad with their arms intertwined form the lid's handle. The vessel's feet have the four toes of a lion but are shaped like a bird's claws; each is topped by winged youth.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
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],
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}
Document source extras
{
"cul": "Praenestine",
"med": "bronze",
"creator_ids": [
"6291"
],
"collection_ids": [
"ROM"
],
"exhibition_ids": []
}
Page context
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