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The comb, which has floral terminals, has on one side a scene of a man and seated woman preparing to play "kick foot" in a tilt yard as spectators watch from behind the railing. On the reverse are two scenes. On the left, two nude boys, one with a bow and the other with a hand cannon, shoot at a sitting duck. On the right, a youth pulls off the stocking of a seated woman. The scenes are set against a coarsely crosshatched ground.The small and large teeth have all been replaced by sections inset into the frame.
Page data
- Page
- 4
- Source index
- 0
- Type
- photo
- Media ID
- d593d9fa495ef8d9
- Size
- unknown
Document data
- ID
- 29026
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Comb with Secular Scenes",
"description": "The comb, which has floral terminals, has on one side a scene of a man and seated woman preparing to play \"kick foot\" in a tilt yard as spectators watch from behind the railing. On the reverse are two scenes. On the left, two nude boys, one with a bow and the other with a hand cannon, shoot at a sitting duck. On the right, a youth pulls off the stocking of a seated woman. The scenes are set against a coarsely crosshatched ground.The small and large teeth have all been replaced by sections inset into the frame.",
"provenance": "Countess Petronio Collection [date and mode of acquisition unknown]; Sale, Paris, June 24, 1921, lot 58; H. Wareham Harding, New York [date and mode of acquistion unknown]; Henry Walters, Baltimore, 1921, by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "29026",
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"contentType": "object",
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"title": "Comb with Secular Scenes",
"description": "The comb, which has floral terminals, has on one side a scene of a man and seated woman preparing to play \"kick foot\" in a tilt yard as spectators watch from behind the railing. On the reverse are two scenes. On the left, two nude boys, one with a bow and the other with a hand cannon, shoot at a sitting duck. On the right, a youth pulls off the stocking of a seated woman. The scenes are set against a coarsely crosshatched ground.The small and large teeth have all been replaced by sections inset into the frame.",
"provenance": "Countess Petronio Collection [date and mode of acquisition unknown]; Sale, Paris, June 24, 1921, lot 58; H. Wareham Harding, New York [date and mode of acquistion unknown]; Henry Walters, Baltimore, 1921, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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Page context
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