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Source Description

The artist's preoccupation with antiquity earned him his nickname. His patrons, the Gonzaga family of Mantua, sent him to Rome to study ancient sculpture so that he would be able to seek out antiquities for purchase, discern forgeries, and produce small versions in bronze of famous statues. The last are usually creative interpretations, which he called his "antiquities." This fine Venus may be loosely based on the same unrestored torso of a Roman copy after a Greek original as "Venus Pudica." Typical of Antico's style are the highly finished surface, dark patina, touches of gilding in the hair, and silver inlay for the eyes, a detail found in ancient bronzes. This Venus represents Spiritual Love, expressed through her modest pose, her lamp of celestial fire, and her crown of Virtue. Around 1520, Antico was creating pieces for his major patron in Mantua, the marchioness Isabella d'Este, whose refined tastes are here exemplified.

Scholar Source Context

Document identity
localId
30236
label
Venus as Spiritual Love (Venus Caritas)
core
obj
dtoType
object
pageCount
30
Source metadata
id
30236
contentType
object
stage
normalized
title
Venus as Spiritual Love (Venus Caritas)
description
The artist's preoccupation with antiquity earned him his nickname. His patrons, the Gonzaga family of Mantua, sent him to Rome to study ancient sculpture so that he would be able to seek out antiquities for purchase, discern forgeries, and produce small versions in bronze of famous statues. The last are usually creative interpretations, which he called his "antiquities." This fine Venus may be loosely based on the same unrestored torso of a Roman copy after a Greek original as "Venus Pudica." Typical of Antico's style are the highly finished surface, dark patina, touches of gilding in the hair, and silver inlay for the eyes, a detail found in ancient bronzes. This Venus represents Spiritual Love, expressed through her modest pose, her lamp of celestial fire, and her crown of Virtue. Around 1520, Antico was creating pieces for his major patron in Mantua, the marchioness Isabella d'Este, whose refined tastes are here exemplified.
provenance
Eduard Georg Simon, Berlin (1864-1929); Arnold Seligmann, New York, perhaps through the Berlin office [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1931 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1520-1523 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Metal
statuettes (statues)
imageCount
30
pageCount
30
source
import
dimensions
units
cm
width
58.5
height
18
depth
15.8
dimensionsRaw
Overall H: 23 1/16 × W: 7 1/16 × D: 6 1/4 in. (58.5 × 18 × 15.8 cm); Statue: H: 18 × W: 6 × D: 3 15/16 in. (45.7 × 15.3 × 10 cm); Base: H: 4 15/16 × W: 6 1/4 × D: 6 1/4 in. (12.6 × 15.8 × 15.8 cm)
Source extras
med
bronze with traces of gilding and silver inlay
creator_ids
3180
collection_ids
REN
exhibition_ids
34
1986
2673
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