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M. D. Pape and Jean II Pénicaud were the great masters of grisaille, a technique in which the composition is painted in a gray monochrome. The boldly incised lines on the enamels of M. D. Pape recall the technique of the engraving which served as his models. The artist executed a number of similar triptychs which illustrate St. John baptizing Christ, preaching, and being beheaded.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- a7824c73d79ddd0f
- Size
- unknown
Document data
- ID
- 31119
- Core
- obj
- Type
- object
DTO data
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"title": "Tripytch with the Life of St. John the Baptist",
"description": "M. D. Pape and Jean II Pénicaud were the great masters of grisaille, a technique in which the composition is painted in a gray monochrome. The boldly incised lines on the enamels of M. D. Pape recall the technique of the engraving which served as his models. The artist executed a number of similar triptychs which illustrate St. John baptizing Christ, preaching, and being beheaded.",
"provenance": "Seligmann, Rey & Co., New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1919, by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "31119",
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"contentType": "object",
"stage": "normalized",
"title": "Tripytch with the Life of St. John the Baptist",
"description": "M. D. Pape and Jean II Pénicaud were the great masters of grisaille, a technique in which the composition is painted in a gray monochrome. The boldly incised lines on the enamels of M. D. Pape recall the technique of the engraving which served as his models. The artist executed a number of similar triptychs which illustrate St. John baptizing Christ, preaching, and being beheaded.",
"provenance": "Seligmann, Rey & Co., New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1919, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"med": "enamels on copper",
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Page context
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