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Inspired by love poetry, the notion of Cupid as a hunter imagines the experience of falling in love as the result of an onrushing attack. Nobody is safe from Cupid's bow. His steed is depicted in full gallop, its front hooves lifted, a wonderful display of baroque energy and movement.The Italian sculptor Francesco Fanelli was active in England from about 1630 through 1642. In his treatise on architecture, he proudly described himself as "sculptor to the king of Great Britain." This is one of the models that he and his workshop produced in significant numbers during his years working for Charles I and his court; the version in the king's collection may have been the prototype.

Page data

Page
1
Source index
0
Type
photo
Media ID
8ad1987b75b0c75f
Size
unknown

Document data

ID
32121
Core
obj
Type
object
DTO data
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    "id": "32121",
    "sourceUrl": "https://purl.thewalters.org/art/54.146",
    "contentType": "object",
    "stage": "normalized",
    "title": "Cupid with a Bow on Horseback",
    "description": "Inspired by love poetry, the notion of Cupid as a hunter imagines the experience of falling in love as the result of an onrushing attack.  Nobody is safe from Cupid's bow.  His steed is depicted in full gallop, its front hooves lifted, a wonderful display of baroque energy and movement.The Italian sculptor Francesco Fanelli was active in England from about 1630 through 1642.  In his treatise on architecture, he proudly described himself as \"sculptor to the king of Great Britain.\"  This is one of the models that he and his workshop produced in significant numbers during his years working for Charles I and his court; the version in the king's collection may have been the prototype.",
    "provenance": "Jacques Seligmann, Paris, by purchase; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.",
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}

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Document identity
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    "core": "obj",
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    "citationUrl": "https://purl.thewalters.org/art/54.146"
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Document source metadata
{
    "id": "32121",
    "sourceUrl": "https://purl.thewalters.org/art/54.146",
    "contentType": "object",
    "stage": "normalized",
    "title": "Cupid with a Bow on Horseback",
    "description": "Inspired by love poetry, the notion of Cupid as a hunter imagines the experience of falling in love as the result of an onrushing attack.  Nobody is safe from Cupid's bow.  His steed is depicted in full gallop, its front hooves lifted, a wonderful display of baroque energy and movement.The Italian sculptor Francesco Fanelli was active in England from about 1630 through 1642.  In his treatise on architecture, he proudly described himself as \"sculptor to the king of Great Britain.\"  This is one of the models that he and his workshop produced in significant numbers during his years working for Charles I and his court; the version in the king's collection may have been the prototype.",
    "provenance": "Jacques Seligmann, Paris, by purchase; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1630-1639 (Baroque)",
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Document source extras
{
    "reign": "Charles I (AD 1625-1649)",
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    "creator_ids": [
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    "collection_ids": [
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Page context
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