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Source Description

This impressive embroidered altar frontal (covering for the front of an altar) once belonged to the Englishman John Grandisson, bishop of Exeter cathedral (r. 1327-69). His coat of arms was added to the garments of the two deacon saints, Stephen and Lawrence (the second and fifth saints, respectively). An avid patron of the arts, Grandisson traveled widely on church business and often imported works of art from continental Europe into England.Made of linen cord wrapped in silver, the thread of the vines surrounding the saints was embroidered to create a raised pattern. This enhanced the reflective quality of the textile. The presence of two of the four symbols of the Evangelists (St. Mark's lion and St. Luke's ox) above St. John the Evangelist and St. Paul (the third and fourth figures) suggests that a central panel, which would have included St. John's eagle and St. Matthew's winged man, is missing.

Scholar Source Context

Document identity
localId
33241
label
Embroidered Altar Frontal with Saints Paul, Lawrence, and Catherine
core
obj
dtoType
object
pageCount
1
Source metadata
id
33241
contentType
object
stage
normalized
title
Embroidered Altar Frontal with Saints Paul, Lawrence, and Catherine
description
This impressive embroidered altar frontal (covering for the front of an altar) once belonged to the Englishman John Grandisson, bishop of Exeter cathedral (r. 1327-69). His coat of arms was added to the garments of the two deacon saints, Stephen and Lawrence (the second and fifth saints, respectively). An avid patron of the arts, Grandisson traveled widely on church business and often imported works of art from continental Europe into England.Made of linen cord wrapped in silver, the thread of the vines surrounding the saints was embroidered to create a raised pattern. This enhanced the reflective quality of the textile. The presence of two of the four symbols of the Evangelists (St. Mark's lion and St. Luke's ox) above St. John the Evangelist and St. Paul (the third and fourth figures) suggests that a central panel, which would have included St. John's eagle and St. Matthew's winged man, is missing.
provenance
John Grandisson, Bishop of Exeter (1292-1369); Bacri Antiquaire, Paris [date and mode of acquisition unknown]; Walters Art Museum, 1973, by purchase.
date
before 1369 (Medieval)
rightsUri
CC0
language
en
genreSpecific
Textiles
antependia
fragments
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
76
height
92
dimensionsRaw
29 15/16 x 36 1/4 in. (76 x 92 cm)
Source extras
cul
Italian
style
Gothic
med
silk and silver thread on linen
creator_ids
18723
collection_ids
MED
TAF
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
5e42d6d568102436