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Source Description
In the Akkadian period, seal designs became more detailed. In the two scenes on this seal, a nude heroic figure with heavy beard and long curls holds off two roaring lions, and another hero struggles with a water buffalo. The inscription in the panel identifies the owner of this seal as "Ur-Inanna, the farmer." Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.
Scholar Source Context
Document identity
localId
33263
label
Cylinder Seal with a Nude Hero
core
obj
dtoType
object
citationUrl
pageCount
8
Source metadata
id
33263
sourceUrl
contentType
object
stage
normalized
title
Cylinder Seal with a Nude Hero
description
In the Akkadian period, seal designs became more detailed. In the two scenes on this seal, a nude heroic figure with heavy beard and long curls holds off two roaring lions, and another hero struggles with a water buffalo. The inscription in the panel identifies the owner of this seal as "Ur-Inanna, the farmer." Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.
provenance
Henry Walters, Baltimore, [date and mode of acquisition unknown]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by inheritance; Joseph Brummer, Paris and New York, 1941, by purchase; Walters Art Museum, 1941, by purchase.
date
ca. 2334-2193 BCE (Akkadian)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Precious Stones & Gems
cylinder seals
imageCount
8
pageCount
8
source
import
dimensions
units
cm
width
3.7
height
2.4
dimensionsRaw
H: 1 7/16 x Diam: 15/16 in. (3.7 x 2.4 cm)
Source extras
cul
Akkadian
inscriptions
[Transliteration] 1. ur-{d}Inanna engar [https://cdli.ucla.edu/search/archival_view.php?ObjectID=P272871] [Translation] a. Ur-Inanna
the farmer
med
carved black stone
creator_ids
15545
4600
collection_ids
ANE
exhibition_ids
none
Page inventory
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photo
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no