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Source Description
Diadems such as this one, with five segments bearing images of the five cosmic Buddhas, are worn by Buddhist monks and priests during the performance of certain rituals, especially those involving the initiation of a disciple into a particular set of esoteric teachings. Each Buddha presides over one of the five Buddha Families and makes a particular gesture ("mudra"). As they appear in this crown from left to right, they are: Amitabha (“Infinite Light”), in the gesture of meditation; Vairochana (“Radiant”), with hands in a position that seems to be a variation on the gesture of enlightenment; Akshobhya (“Unshakeable”), in the earth-touching gesture; Ratnasambhava (“Jewel-Born”), in the gesture of bestowal; and Amoghasiddhi (“Unfailing Success”), in the gesture of reassurance. Each Buddha is also associated with a particular color, but the maker of the diadem embroidered them all with the same color of thread, giving them a harmonious appearance. They also sit on nearly identical lotus pedestals and lion thrones, and are framed by the same auspicious vine motif. The five-part form of this diadem has origins in Tibet, but this one was made in China, where Tibetan Buddhist traditions and art forms were also practiced.
Scholar Source Context
Document identity
localId
33703
label
Ritual Diadem with Five Buddhas
core
obj
dtoType
object
citationUrl
pageCount
2
Source metadata
id
33703
sourceUrl
contentType
object
stage
normalized
title
Ritual Diadem with Five Buddhas
description
Diadems such as this one, with five segments bearing images of the five cosmic Buddhas, are worn by Buddhist monks and priests during the performance of certain rituals, especially those involving the initiation of a disciple into a particular set of esoteric teachings. Each Buddha presides over one of the five Buddha Families and makes a particular gesture ("mudra"). As they appear in this crown from left to right, they are: Amitabha (“Infinite Light”), in the gesture of meditation; Vairochana (“Radiant”), with hands in a position that seems to be a variation on the gesture of enlightenment; Akshobhya (“Unshakeable”), in the earth-touching gesture; Ratnasambhava (“Jewel-Born”), in the gesture of bestowal; and Amoghasiddhi (“Unfailing Success”), in the gesture of reassurance. Each Buddha is also associated with a particular color, but the maker of the diadem embroidered them all with the same color of thread, giving them a harmonious appearance. They also sit on nearly identical lotus pedestals and lion thrones, and are framed by the same auspicious vine motif. The five-part form of this diadem has origins in Tibet, but this one was made in China, where Tibetan Buddhist traditions and art forms were also practiced.
provenance
Sonam Tashi, Hong Kong; purchased by John and Berthe Ford, Baltimore, July 1984; given to Walters Art Museum, 2016.
date
17th-18th century
citationUrl
rightsUri
CC0
language
en
genreSpecific
Textiles
textiles
diadems
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
17.8
height
40.6
depth
25.4
dimensionsRaw
H: 7 x W: 16 x D: 10 in. (17.8 x 40.6 x 25.4 cm)
Source extras
med
embroidered silk, gold and silver leaf on paper, internal support
creator_ids
6238
collection_ids
CHN
exhibition_ids
2071
Page inventory
seq
1
type
photo
mediaId
e139c561af3e1094
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
3d3f10bc73f3d3ac
hasOcr
no
hasDescription
no