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This figure of a monk kneels with hands in the "Anjali mudra," the gesture of respect and salutation for devotion to the Buddha. Pairs of these devotees are often intended to represent Sariputta and Moggallana, the Buddha’s two most dedicated disciples, who converted to Buddhism when they heard the Buddhist creed: “Whatever proceeds from causes, their causes have been stated, as also the means of their cessation.”Sariputta’s knowledge of the Buddha’s teaching ("dharma") was considered second only to that of the Buddha himself. Moggallana was celebrated for his ability to see the unsaid and unknown through mindful clarity achieved by means of meditation. Through their piety, practice, and intellect, the monks became perfected beings known as "arahants."

Page data

Page
3
Source index
0
Type
photo
Media ID
1e798b945d355f5f
Size
unknown

Document data

ID
34084
Core
obj
Type
object
DTO data
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    "title": "Monk Devotee",
    "description": "This figure of a monk kneels with hands in the \"Anjali mudra,\" the gesture of respect and salutation for devotion to the Buddha. Pairs of these devotees are often intended to represent Sariputta and Moggallana, the Buddha’s two most dedicated disciples, who converted to Buddhism when they heard the Buddhist creed: “Whatever proceeds from causes, their causes have been stated, as also the means of their cessation.”Sariputta’s knowledge of the Buddha’s teaching (\"dharma\") was considered second only to that of the Buddha himself. Moggallana was celebrated for his ability to see the unsaid and unknown through mindful clarity achieved by means of meditation. Through their piety, practice, and intellect, the monks became perfected beings known as \"arahants.\"",
    "provenance": "Doris Duke Charitable Foundation's Southeast Asian Art Collection; given to Walters Art Museum, 2002.",
    "date": "19th century (Rattanakosin)",
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}

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Document identity
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Document source metadata
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    "contentType": "object",
    "stage": "normalized",
    "title": "Monk Devotee",
    "description": "This figure of a monk kneels with hands in the \"Anjali mudra,\" the gesture of respect and salutation for devotion to the Buddha. Pairs of these devotees are often intended to represent Sariputta and Moggallana, the Buddha’s two most dedicated disciples, who converted to Buddhism when they heard the Buddhist creed: “Whatever proceeds from causes, their causes have been stated, as also the means of their cessation.”Sariputta’s knowledge of the Buddha’s teaching (\"dharma\") was considered second only to that of the Buddha himself. Moggallana was celebrated for his ability to see the unsaid and unknown through mindful clarity achieved by means of meditation. Through their piety, practice, and intellect, the monks became perfected beings known as \"arahants.\"",
    "provenance": "Doris Duke Charitable Foundation's Southeast Asian Art Collection; given to Walters Art Museum, 2002.",
    "date": "19th century (Rattanakosin)",
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Document source extras
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    "cul": "Thai",
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    "med": "copper alloy with lacquer and gilding",
    "creator_ids": [
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Page context
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