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Source Description
This magnificent late Baroque ceremonial cup was made for Augustus the Strong (1670-1733), elector of Saxony and king of Poland. One of a pair, it was first exhibited in 1722 in the Green Vaults of Dresden, the royal treasury that opened as a public museum the following year. A prancing Polish horse is mounted on an agate bowl. Protruding from his elaborately enameled saddle cover are the handles of the ceremonial sword of Poland and of the sword of Investiture of the Order of the White Eagle. A rider and horse enameled on an oval plaque on the back of the cup represent Lithuania, then united with Poland. Other insignia include the crown of Poland placed on a crimson cushion, the Polish white eagle, and the monarch's monogram. Dogs and salamanders are among the naturalistic elements incorporated into the exuberant scroll-work of the mount.Johann Melchior Dinglinger was appointed jeweler to the court in 1698. Working together with his brothers Georg Friedrich, an enameler, and Georg Christoph, a jeweler, he drew upon Saxony's rich mineral resources to keep alive the Renaissance goldsmith's tradition in which semiprecious stones and enamels were used in conjunction with metal. His international reputation was such that Peter the Great of Russia stayed as his houseguest in 1712.
Scholar Source Context
Document identity
localId
34522
label
Ceremonial Cup
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
34522
sourceUrl
contentType
object
stage
normalized
title
Ceremonial Cup
description
This magnificent late Baroque ceremonial cup was made for Augustus the Strong (1670-1733), elector of Saxony and king of Poland. One of a pair, it was first exhibited in 1722 in the Green Vaults of Dresden, the royal treasury that opened as a public museum the following year. A prancing Polish horse is mounted on an agate bowl. Protruding from his elaborately enameled saddle cover are the handles of the ceremonial sword of Poland and of the sword of Investiture of the Order of the White Eagle. A rider and horse enameled on an oval plaque on the back of the cup represent Lithuania, then united with Poland. Other insignia include the crown of Poland placed on a crimson cushion, the Polish white eagle, and the monarch's monogram. Dogs and salamanders are among the naturalistic elements incorporated into the exuberant scroll-work of the mount.Johann Melchior Dinglinger was appointed jeweler to the court in 1698. Working together with his brothers Georg Friedrich, an enameler, and Georg Christoph, a jeweler, he drew upon Saxony's rich mineral resources to keep alive the Renaissance goldsmith's tradition in which semiprecious stones and enamels were used in conjunction with metal. His international reputation was such that Peter the Great of Russia stayed as his houseguest in 1712.
provenance
Commissioned by Augustus the Strong, Elector of Saxony and King of Poland [1670-1733], Prague, ca. 1720; Grünes Gewölbe, Dresden [on display 1722-1924]; Dr. F. Mannheimer, Amsterdam; Muller Sale, October 14, 1952, lot 213; Mr. and Mrs. Alastair Bradley Martin, New York; John Hunt, Dublin, Ireland; Walters Art Museum, 1971, by exchange.
date
ca. 1697-1722 (Late Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
cups (drinking vessels)
imageCount
1
pageCount
1
source
import
dimensionsRaw
11 7/16 in. (29 cm)
Source extras
cul
German
med
agate, gold, silver, gilded silver, enamel, diamonds, and semiprecious stones
creator_ids
3574
collection_ids
EAN
exhibition_ids
1994
2062
2689
3300
Single page context
seq
1
pageIndex
0
type
photo
mediaId
fe095bb64bb9fff4