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Two horned quadrupeds stand before a temple façade decorated with geometric patterns. They may represent a sacred herd, animals raised at the temple for sacrifice. Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- e7f3083e0f4dc44c
- Size
- unknown
Document data
- ID
- 34535
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Cylinder Seal with Horned Animals before a Temple",
"description": "Two horned quadrupeds stand before a temple façade decorated with geometric patterns. They may represent a sacred herd, animals raised at the temple for sacrifice. Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.",
"provenance": "Henry Walters, Baltimore, [date and mode of acquisition unknown]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by inheritance; Joseph Brummer, Paris and New York, 1941, by purchase; Walters Art Museum, 1941, by purchase.",
"date": "late 4th-early 3rd millennium BCE (Late Uruk-Jamdet Nasr)",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "34535",
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"contentType": "object",
"stage": "normalized",
"title": "Cylinder Seal with Horned Animals before a Temple",
"description": "Two horned quadrupeds stand before a temple façade decorated with geometric patterns. They may represent a sacred herd, animals raised at the temple for sacrifice. Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.",
"provenance": "Henry Walters, Baltimore, [date and mode of acquisition unknown]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by inheritance; Joseph Brummer, Paris and New York, 1941, by purchase; Walters Art Museum, 1941, by purchase.",
"date": "late 4th-early 3rd millennium BCE (Late Uruk-Jamdet Nasr)",
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Document source extras
{
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Page context
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