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Two overlapping squares with a common diagonal create the cube in the upper diagram. The Sun is portrayed in the upper left corner, the Moon in the lower right. The four elements, Earth, Air, Fire, and Water, along with their respective properties, occupy the cube's upper square. The wheel-shaped diagram in the bottom part of the page visualizes the idea that Man is a microcosm of the universe, and the universe a macrocosm of Man. Within the ring at center are the words (reading from top to bottom) "World," "Man," and "Year." The eight intersecting arcs illustrate the relationships among the parts of the world – the four elements, the four bodily humors, and the four seasons. The cross shape created by the arcs expresses Christ's role in restoring to nature its original harmony, order, and meaning, believed to have been disrupted by the Fall of Man.

Page data

Page
1
Source index
0
Type
photo
Media ID
b02185cbcaf91b59
Size
unknown

Document data

ID
34785
Core
obj
Type
object
DTO data
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    "stage": "normalized",
    "title": "Diagrams of a Cube, and the Microcosmic-Macrocosmic Harmony",
    "description": "Two overlapping squares with a common diagonal create the cube in the upper diagram. The Sun is portrayed in the upper left corner, the Moon in the lower right. The four elements, Earth, Air, Fire, and Water, along with their respective properties, occupy the cube's upper square. The wheel-shaped diagram in the bottom part of the page visualizes the idea that Man is a microcosm of the universe, and the universe a macrocosm of Man. Within the ring at center are the words (reading from top to bottom) \"World,\" \"Man,\" and \"Year.\" The eight intersecting arcs illustrate the relationships among the parts of the world – the four elements, the four bodily humors, and the four seasons. The cross shape created by the arcs expresses Christ's role in restoring to nature its original harmony, order, and meaning, believed to have been disrupted by the Fall of Man.",
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    "date": "late 12th century",
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Document identity
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Document source metadata
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    "provenance": "Gruel and Englemann Collection, Paris [1]; acquired  by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.[1] no. 131, bookplate on inside upper board",
    "date": "late 12th century",
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Document source extras
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Page context
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