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The God of Love, crowned and winged, stands in a tree and throws arrows on the two lovers below. The seated man is shown with a hawk, and the kneeling woman, already struck by an arrow, holds a chaplet in her hand for her beloved. The scene has a seven-lobed frame with masks in the spandrels. Four monsters form the corner terminals. The mirror is considerably worn from use.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 87d67766f4016392
- Size
- unknown
Document data
- ID
- 35131
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
"stage": "normalized",
"title": "Mirror Case with the God of Love",
"description": "The God of Love, crowned and winged, stands in a tree and throws arrows on the two lovers below. The seated man is shown with a hawk, and the kneeling woman, already struck by an arrow, holds a chaplet in her hand for her beloved. The scene has a seven-lobed frame with masks in the spandrels. Four monsters form the corner terminals. The mirror is considerably worn from use.",
"provenance": "Count Dimitri Stroganoff Collection, Rome [date and mode of acquisition unknown]; Elia Volpi, Florence [date and mode of acquisition unknown]; Volpi Sale, New York, November 21, 1916, lot 1; H. Wareham Harding, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1916, by purchase; Walters Art Museum, 1931, by bequest.",
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}
Context sent to Scholar
Document identity
{
"localId": "35131",
"label": "Mirror Case with the God of Love",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/71.265"
}
Document source metadata
{
"id": "35131",
"sourceUrl": "https://purl.thewalters.org/art/71.265",
"contentType": "object",
"stage": "normalized",
"title": "Mirror Case with the God of Love",
"description": "The God of Love, crowned and winged, stands in a tree and throws arrows on the two lovers below. The seated man is shown with a hawk, and the kneeling woman, already struck by an arrow, holds a chaplet in her hand for her beloved. The scene has a seven-lobed frame with masks in the spandrels. Four monsters form the corner terminals. The mirror is considerably worn from use.",
"provenance": "Count Dimitri Stroganoff Collection, Rome [date and mode of acquisition unknown]; Elia Volpi, Florence [date and mode of acquisition unknown]; Volpi Sale, New York, November 21, 1916, lot 1; H. Wareham Harding, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1916, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "mid 14th century (Medieval)",
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Document source extras
{
"style": "Gothic",
"med": "ivory",
"creator_ids": [
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"collection_ids": [
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Page context
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