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The scenes of the Flagellation and Resurrection each contain three figures carefully spaced in unusually rhythmic compositions. The figure of Christ in the Resurrection merely stepping on the tomb rather than out of it is unusual. The scenes are placed beneath arcades of three trefoil arches with large crockets.The cross staff of Christ is broken. The hinges are fragmentary, and there is a chip out of the lower right corner.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- d3ba2e7123d7b011
- Size
- unknown
Document data
- ID
- 35187
- Core
- obj
- Type
- object
DTO data
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"title": "Diptych Leaf with the Flagellation and Resurrection",
"description": "The scenes of the Flagellation and Resurrection each contain three figures carefully spaced in unusually rhythmic compositions. The figure of Christ in the Resurrection merely stepping on the tomb rather than out of it is unusual. The scenes are placed beneath arcades of three trefoil arches with large crockets.The cross staff of Christ is broken. The hinges are fragmentary, and there is a chip out of the lower right corner.",
"provenance": "Unknown Sale, Paris, lot 71; Léon Gruel, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.",
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Document identity
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Document source metadata
{
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"contentType": "object",
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"title": "Diptych Leaf with the Flagellation and Resurrection",
"description": "The scenes of the Flagellation and Resurrection each contain three figures carefully spaced in unusually rhythmic compositions. The figure of Christ in the Resurrection merely stepping on the tomb rather than out of it is unusual. The scenes are placed beneath arcades of three trefoil arches with large crockets.The cross staff of Christ is broken. The hinges are fragmentary, and there is a chip out of the lower right corner.",
"provenance": "Unknown Sale, Paris, lot 71; Léon Gruel, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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Page context
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