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Jean II Pénicaud, whose father was also worked with painted enamel, was unsurpassed in achieving delicate nuances in grisaille. His highly personal style is distinguished by the muscular figures and the 'wet' drapery which sometimes clings to the body in tight folds and sometimes swirls in an exaggerated manner around it.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- b85fb3e13e571b7d
- Size
- unknown
Document data
- ID
- 35688
- Core
- obj
- Type
- object
DTO data
{
"id": "35688",
"sourceUrl": "https://purl.thewalters.org/art/44.361",
"contentType": "object",
"stage": "normalized",
"title": "Plaque with the Crucifixion",
"description": "Jean II Pénicaud, whose father was also worked with painted enamel, was unsurpassed in achieving delicate nuances in grisaille. His highly personal style is distinguished by the muscular figures and the 'wet' drapery which sometimes clings to the body in tight folds and sometimes swirls in an exaggerated manner around it.",
"provenance": "Cottreau Collection [date and mode of acquisition unknown]; Sale, Paris, April 28-29, 1910, lot 60; Jacques Seligmann, Paris, [date of acquisition unknown] by purchase; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1545 (European Renaissance)",
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"source": "import",
"dimensions": [
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"units": "cm",
"width": 20,
"height": 14.5
}
],
"dimensionsRaw": "Excluding frame H: 7 7/8 x W: 5 11/16 in. (20 x 14.5 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "35688",
"label": "Plaque with the Crucifixion",
"core": "obj",
"dtoType": "object",
"citationUrl": "https://purl.thewalters.org/art/44.361"
}
Document source metadata
{
"id": "35688",
"sourceUrl": "https://purl.thewalters.org/art/44.361",
"contentType": "object",
"stage": "normalized",
"title": "Plaque with the Crucifixion",
"description": "Jean II Pénicaud, whose father was also worked with painted enamel, was unsurpassed in achieving delicate nuances in grisaille. His highly personal style is distinguished by the muscular figures and the 'wet' drapery which sometimes clings to the body in tight folds and sometimes swirls in an exaggerated manner around it.",
"provenance": "Cottreau Collection [date and mode of acquisition unknown]; Sale, Paris, April 28-29, 1910, lot 60; Jacques Seligmann, Paris, [date of acquisition unknown] by purchase; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1545 (European Renaissance)",
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}
Document source extras
{
"med": "painted enamel on copper",
"creator_ids": [
"7722"
],
"collection_ids": [
"REN"
],
"exhibition_ids": [
"2436"
]
}
Page context
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