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Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”These colorful compositions created complex narrative scenes which paralleled manuscript painting. Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. The combination of leisurely activities with more warrior-like occupations, such as the hunt, was frequently used in the medieval Persian iconography of kingship. The royal figure at the center of this bowl is seated on a throne, surrounded by four courtiers, two of which hold swords crossed over the ruler’s head, perhaps in a gesture of protection. The outer rim, while partially erased, features seated figures in pairs. Surrounding the central composition is a kufic inscription in Arabic. The outer rim features a fragmentary inscription in naskhi.
Page data
- Page
- 3
- Source index
- 0
- Type
- photo
- Media ID
- a8ebe7c1c9ccdd07
- Size
- unknown
Document data
- ID
- 36289
- Core
- obj
- Type
- object
DTO data
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"title": "Bowl with Enthroned King and Courtiers",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”These colorful compositions created complex narrative scenes which paralleled manuscript painting. Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. The combination of leisurely activities with more warrior-like occupations, such as the hunt, was frequently used in the medieval Persian iconography of kingship. The royal figure at the center of this bowl is seated on a throne, surrounded by four courtiers, two of which hold swords crossed over the ruler’s head, perhaps in a gesture of protection. The outer rim, while partially erased, features seated figures in pairs. Surrounding the central composition is a kufic inscription in Arabic. The outer rim features a fragmentary inscription in naskhi.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar
Document identity
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Document source metadata
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"title": "Bowl with Enthroned King and Courtiers",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”These colorful compositions created complex narrative scenes which paralleled manuscript painting. Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. The combination of leisurely activities with more warrior-like occupations, such as the hunt, was frequently used in the medieval Persian iconography of kingship. The royal figure at the center of this bowl is seated on a throne, surrounded by four courtiers, two of which hold swords crossed over the ruler’s head, perhaps in a gesture of protection. The outer rim, while partially erased, features seated figures in pairs. Surrounding the central composition is a kufic inscription in Arabic. The outer rim features a fragmentary inscription in naskhi.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"med": "fritware, white underglaze,black, blue, green, purple, pink, red and white overglaze enamel",
"creator_ids": [
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],
"collection_ids": [],
"exhibition_ids": []
}
Page context
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