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In the center of this dish, two horsemen direct their spears at a lion whose front paws are on the left knee of another rider lying with his dead horse in the foreground. To the left, a woman stands and holds a long staff. This dramatic scene was taken from an engraving by Giovanni Antonio da Brescia (1490-1525) that reproduced a relief from an ancient Roman sarcophagus displayed in Saint Peter’s Basilica in Rome. The plate has been attributed to Baldassare Manara, one of the most prominent maiolica painters of the sixteenth century, who often adapted compositions from popular prints into his wares. In this composition, the painter adds new character to the original engraving by separating the figures for greater clarity, and expanding the background to include a landscape filled with rocks, trees, and strange buildings. To the artist's audience, the subject of a lion hunt would have evoked a heroic ancient past. The back is painted bluish-white. For more information on “maiolica,” see 48.1336
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 2a6325274815b701
- Size
- unknown
Document data
- ID
- 36602
- Core
- obj
- Type
- object
DTO data
{
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"title": "Dish with Lion Hunt",
"description": "In the center of this dish, two horsemen direct their spears at a lion whose front paws are on the left knee of another rider lying with his dead horse in the foreground. To the left, a woman stands and holds a long staff. This dramatic scene was taken from an engraving by Giovanni Antonio da Brescia (1490-1525) that reproduced a relief from an ancient Roman sarcophagus displayed in Saint Peter’s Basilica in Rome. The plate has been attributed to Baldassare Manara, one of the most prominent maiolica painters of the sixteenth century, who often adapted compositions from popular prints into his wares. In this composition, the painter adds new character to the original engraving by separating the figures for greater clarity, and expanding the background to include a landscape filled with rocks, trees, and strange buildings. To the artist's audience, the subject of a lion hunt would have evoked a heroic ancient past. The back is painted bluish-white. For more information on “maiolica,” see 48.1336",
"provenance": "Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1520-1547 (Renaissance)",
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"dimensionsRaw": "10 13/16 in. (27.4 cm) (w.)"
}
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Document identity
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Document source metadata
{
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"contentType": "object",
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"title": "Dish with Lion Hunt",
"description": "In the center of this dish, two horsemen direct their spears at a lion whose front paws are on the left knee of another rider lying with his dead horse in the foreground. To the left, a woman stands and holds a long staff. This dramatic scene was taken from an engraving by Giovanni Antonio da Brescia (1490-1525) that reproduced a relief from an ancient Roman sarcophagus displayed in Saint Peter’s Basilica in Rome. The plate has been attributed to Baldassare Manara, one of the most prominent maiolica painters of the sixteenth century, who often adapted compositions from popular prints into his wares. In this composition, the painter adds new character to the original engraving by separating the figures for greater clarity, and expanding the background to include a landscape filled with rocks, trees, and strange buildings. To the artist's audience, the subject of a lion hunt would have evoked a heroic ancient past. The back is painted bluish-white. For more information on “maiolica,” see 48.1336",
"provenance": "Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1520-1547 (Renaissance)",
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Document source extras
{
"med": "earthenware with tin glaze (maiolica)",
"creator_ids": [
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],
"collection_ids": [
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],
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]
}
Page context
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