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This ewer was a wedding gift to Francis II (reigned 1562-67) from his bride, Mary Stuart. On the upper band, Diana, chaste goddess of the hunt, rides on a cart in victorious procession, followed by nymphs and animals. Venus and Cupid, goddess and god of carnal love, are tied up on the back of the cart, representing chastity's control over desire. The theme is often found on 16th-century marriage gifts and, here, acknowledges the responsibility of a queen to ensure the purity of the family's blood line. The scene below-from the Old Testament book of 2 Kings, in which Josiah, king of Judah, reads the law publicly, reaffirming the covenant with God-evokes the greatest responsibility of a king: to rule righteously. Both scenes were adapted from contemporary prints.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- b52dd89e89225f69
- Size
- unknown
Document data
- ID
- 36893
- Core
- obj
- Type
- object
DTO data
{
"id": "36893",
"sourceUrl": "https://purl.thewalters.org/art/44.167",
"contentType": "object",
"stage": "normalized",
"title": "Ewer with the Triumph of Diana and Josiah Reading the Law",
"description": "This ewer was a wedding gift to Francis II (reigned 1562-67) from his bride, Mary Stuart. On the upper band, Diana, chaste goddess of the hunt, rides on a cart in victorious procession, followed by nymphs and animals. Venus and Cupid, goddess and god of carnal love, are tied up on the back of the cart, representing chastity's control over desire. The theme is often found on 16th-century marriage gifts and, here, acknowledges the responsibility of a queen to ensure the purity of the family's blood line. The scene below-from the Old Testament book of 2 Kings, in which Josiah, king of Judah, reads the law publicly, reaffirming the covenant with God-evokes the greatest responsibility of a king: to rule righteously. Both scenes were adapted from contemporary prints.",
"provenance": "Frédéric Spitzer, Paris, by purchase; Sale, Paul Chevallier and Charles Mannheim, Paris, April 17, 1893, no. 542; Charles Borradaile, Brighton, England, by purchase; George Robinson Harding, London [date and mode of acquisition unknown]; Henry Walters, Baltimore, [date of acquisition unknown] by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1562 (Early Modern)",
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"dimensionsRaw": "H: 11 1/8 in. (28.2 cm)"
}
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Document identity
{
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"label": "Ewer with the Triumph of Diana and Josiah Reading the Law",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/44.167"
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Document source metadata
{
"id": "36893",
"sourceUrl": "https://purl.thewalters.org/art/44.167",
"contentType": "object",
"stage": "normalized",
"title": "Ewer with the Triumph of Diana and Josiah Reading the Law",
"description": "This ewer was a wedding gift to Francis II (reigned 1562-67) from his bride, Mary Stuart. On the upper band, Diana, chaste goddess of the hunt, rides on a cart in victorious procession, followed by nymphs and animals. Venus and Cupid, goddess and god of carnal love, are tied up on the back of the cart, representing chastity's control over desire. The theme is often found on 16th-century marriage gifts and, here, acknowledges the responsibility of a queen to ensure the purity of the family's blood line. The scene below-from the Old Testament book of 2 Kings, in which Josiah, king of Judah, reads the law publicly, reaffirming the covenant with God-evokes the greatest responsibility of a king: to rule righteously. Both scenes were adapted from contemporary prints.",
"provenance": "Frédéric Spitzer, Paris, by purchase; Sale, Paul Chevallier and Charles Mannheim, Paris, April 17, 1893, no. 542; Charles Borradaile, Brighton, England, by purchase; George Robinson Harding, London [date and mode of acquisition unknown]; Henry Walters, Baltimore, [date of acquisition unknown] by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1562 (Early Modern)",
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"rightsUri": "CC0",
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"source": "import",
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}
Document source extras
{
"cul": "French",
"med": "painted enamel on copper",
"creator_ids": [
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Page context
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