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On this diptych, the emotional quality of the Crucifixion is increased by the detail of the blood that spurts from Christ's side and pierces the Virgin's breast like a knife. This motif probably originated in Germany and was derived from the prophecy of the holy man Simeon (in the Gospel of Luke) that a sword would pierce the Virgin's soul as a mark of her special suffering.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 941c2279bb4d1c12
- Size
- unknown
Document data
- ID
- 37105
- Core
- obj
- Type
- object
DTO data
{
"id": "37105",
"sourceUrl": "https://purl.thewalters.org/art/71.276",
"contentType": "object",
"stage": "normalized",
"title": "Diptych with the Virgin and Child, and the Crucifixion",
"description": "On this diptych, the emotional quality of the Crucifixion is increased by the detail of the blood that spurts from Christ's side and pierces the Virgin's breast like a knife. This motif probably originated in Germany and was derived from the prophecy of the holy man Simeon (in the Gospel of Luke) that a sword would pierce the Virgin's soul as a mark of her special suffering.",
"provenance": "George de Waroquier, Toulouse; Sigismond Bardac, Paris; Arnold Seligmann, New York; Henry Walters, Baltimore, 1922, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "1350-1360 (Medieval)",
"citationUrl": "https://purl.thewalters.org/art/71.276",
"rightsUri": "CC0",
"language": "en",
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"Ivory & Bone",
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"source": "import",
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}
],
"dimensionsRaw": "8 1/16 x 10 5/16 x 3/8 in. (20.5 x 26.2 x 1 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "37105",
"label": "Diptych with the Virgin and Child, and the Crucifixion",
"core": "obj",
"dtoType": "object",
"citationUrl": "https://purl.thewalters.org/art/71.276"
}
Document source metadata
{
"id": "37105",
"sourceUrl": "https://purl.thewalters.org/art/71.276",
"contentType": "object",
"stage": "normalized",
"title": "Diptych with the Virgin and Child, and the Crucifixion",
"description": "On this diptych, the emotional quality of the Crucifixion is increased by the detail of the blood that spurts from Christ's side and pierces the Virgin's breast like a knife. This motif probably originated in Germany and was derived from the prophecy of the holy man Simeon (in the Gospel of Luke) that a sword would pierce the Virgin's soul as a mark of her special suffering.",
"provenance": "George de Waroquier, Toulouse; Sigismond Bardac, Paris; Arnold Seligmann, New York; Henry Walters, Baltimore, 1922, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "1350-1360 (Medieval)",
"citationUrl": "https://purl.thewalters.org/art/71.276",
"rightsUri": "CC0",
"language": "en",
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],
"iiifBase": "https://art.thewalters.org/images/art/PL1_71.276_Opn_TR_T97III.jpg",
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"largeImageUrl": "https://art.thewalters.org/images/art/PL1_71.276_Opn_TR_T97III.jpg",
"imageCount": 1,
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"source": "import",
"dimensions": [
{
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"depth": 1
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],
"dimensionsRaw": "8 1/16 x 10 5/16 x 3/8 in. (20.5 x 26.2 x 1 cm)"
}
Document source extras
{
"cul": "French",
"style": "Gothic",
"inscriptions": [
"On the back of the right leaf inscribed in faded ink: Ardenus Grassus de Morario loci de Burossa Lascurensis diocesis; [Traslation] Ardenus Grassus de Morario",
"of Buros",
"in the diocese of Lascar."
],
"med": "ivory with traces of paint",
"creator_ids": [
"6229"
],
"collection_ids": [
"MED"
],
"exhibition_ids": [
"2064",
"2052"
]
}
Page context
{
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"type": "photo",
"url": "https://art.thewalters.org/images/raw/PL1_71.276_Opn_TR_T97III.jpg",
"mediaId": "941c2279bb4d1c12"
}