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Valerio Belli is the first great engraver of rock crystal and other semiprecious stones of the Renaissance. The subject of this plaque is Christian, indeed, the shape suggests a freestanding devotional work, but the firm, athletic, precisely modeled bodies reflect Belli's admiration of the aesthetics of classical, pagan antiquity.The artist has signed his name in Latin on the Roman-style pedestal base of a broken column behind St. Joseph. With great virtuosity, Belli has defined the perspective of the simple roof with a vanishing point behind the column, creating a deep space behind the frieze-like arrangement of the figures.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 6285f7a0f40726ac
- Size
- unknown
Document data
- ID
- 37168
- Core
- obj
- Type
- object
DTO data
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"title": "Plaque with the Adoration of the Shepherds",
"description": "Valerio Belli is the first great engraver of rock crystal and other semiprecious stones of the Renaissance. The subject of this plaque is Christian, indeed, the shape suggests a freestanding devotional work, but the firm, athletic, precisely modeled bodies reflect Belli's admiration of the aesthetics of classical, pagan antiquity.The artist has signed his name in Latin on the Roman-style pedestal base of a broken column behind St. Joseph. With great virtuosity, Belli has defined the perspective of the simple roof with a vanishing point behind the column, creating a deep space behind the frieze-like arrangement of the figures.",
"provenance": "Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1530-1546 (Renaissance)",
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"dimensionsRaw": "4 1/2 x 3 1/8 in. (11.5 x 8 cm)"
}
Context sent to Scholar
Document identity
{
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"label": "Plaque with the Adoration of the Shepherds",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/41.85"
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Document source metadata
{
"id": "37168",
"sourceUrl": "https://purl.thewalters.org/art/41.85",
"contentType": "object",
"stage": "normalized",
"title": "Plaque with the Adoration of the Shepherds",
"description": "Valerio Belli is the first great engraver of rock crystal and other semiprecious stones of the Renaissance. The subject of this plaque is Christian, indeed, the shape suggests a freestanding devotional work, but the firm, athletic, precisely modeled bodies reflect Belli's admiration of the aesthetics of classical, pagan antiquity.The artist has signed his name in Latin on the Roman-style pedestal base of a broken column behind St. Joseph. With great virtuosity, Belli has defined the perspective of the simple roof with a vanishing point behind the column, creating a deep space behind the frieze-like arrangement of the figures.",
"provenance": "Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
"med": "rock crystal, gilded copper frame",
"creator_ids": [
"2549"
],
"collection_ids": [
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Page context
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