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Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. These colorful compositions created complex narrative scenes which paralleled manuscript painting. Three horsemen, framed by stylized vines, canter around the central figure of a bird, further blending the imagery of active and passive courtly life. A kufic inscription circles the rim, while a pseudo inscription is written on the outside of the bowl.
Page data
- Page
- 3
- Source index
- 0
- Type
- photo
- Media ID
- 34f4efa0048f3022
- Size
- unknown
Document data
- ID
- 38355
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Bowl with Horsemen and Bird",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. These colorful compositions created complex narrative scenes which paralleled manuscript painting. Three horsemen, framed by stylized vines, canter around the central figure of a bird, further blending the imagery of active and passive courtly life. A kufic inscription circles the rim, while a pseudo inscription is written on the outside of the bowl.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "38355",
"sourceUrl": "https://purl.thewalters.org/art/48.1136",
"contentType": "object",
"stage": "normalized",
"title": "Bowl with Horsemen and Bird",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. These colorful compositions created complex narrative scenes which paralleled manuscript painting. Three horsemen, framed by stylized vines, canter around the central figure of a bird, further blending the imagery of active and passive courtly life. A kufic inscription circles the rim, while a pseudo inscription is written on the outside of the bowl.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
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Document source extras
{
"med": "fritware, white underglaze, black, blue, pink, red, and turquoise overglaze enamel",
"creator_ids": [
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"collection_ids": [],
"exhibition_ids": []
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Page context
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