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Source Description

The Virgin kneels on a crescent moon with her hands in an attitude of prayer. Her head is uncovered, and her hair falls down her back and in tresses over her shoulders. In rendering the folds of the garments, little concession has been made to anatomy.This piece, like 71.342, was apparently carved in the Portuguese colony of Goa, on the west coast of the Indian subcontinent by a native artist.Devotional statuettes carved in ivory celebrating the immaculate purity of the Virgin were popular in the 1600s in Europe and this taste spread to the colonies established by Catholic countries in Asia and the Americas. The three most important locations for production of these ivories were the portuguese colonies on the Indian subcontinent (Goa, where the present piece as well as Walters 71.407 were made), the island of Sri Lanka (see Walters 71.341) and the Spanish colony of the Philippines (see for example Walters 71.322). A square paper label with blue borders on the under surface of the statuette is inscribed in ink: "123."

Scholar Source Context

Document identity
localId
5423
label
The Virgin of the Immaculate Conception
core
obj
dtoType
object
pageCount
7
Source metadata
id
5423
contentType
object
stage
normalized
title
The Virgin of the Immaculate Conception
description
The Virgin kneels on a crescent moon with her hands in an attitude of prayer. Her head is uncovered, and her hair falls down her back and in tresses over her shoulders. In rendering the folds of the garments, little concession has been made to anatomy.This piece, like 71.342, was apparently carved in the Portuguese colony of Goa, on the west coast of the Indian subcontinent by a native artist.Devotional statuettes carved in ivory celebrating the immaculate purity of the Virgin were popular in the 1600s in Europe and this taste spread to the colonies established by Catholic countries in Asia and the Americas. The three most important locations for production of these ivories were the portuguese colonies on the Indian subcontinent (Goa, where the present piece as well as Walters 71.407 were made), the island of Sri Lanka (see Walters 71.341) and the Spanish colony of the Philippines (see for example Walters 71.322). A square paper label with blue borders on the under surface of the statuette is inscribed in ink: "123."
provenance
William T. / Henry Walters Collection, Baltimore [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1700
rightsUri
CC0
language
en
genreSpecific
Ivory & Bone
statuettes (statues)
imageCount
7
pageCount
7
source
import
dimensionsRaw
H: 5 3/16 in. (13.2 cm)
Source extras
med
ivory, traces of gilding
creator_ids
2191
collection_ids
BAR
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
6141e0a285ac8e74
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
a8449b47ad5dc14a
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
1f176aa037ddcfb5
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
002fc5774060f76e
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
c11a9aadb5db3aea
hasOcr
no
hasDescription
no
seq
6
type
photo
mediaId
971cd7f6486fa320
hasOcr
no
hasDescription
no
seq
7
type
photo
mediaId
4b6fe628c5cfc952
hasOcr
no
hasDescription
no