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Source Description

Augustin Ritt, one of Russia’s most prolific miniature painters, presents Empress Catherine II of Russia and Count Lanskoy, the Empress’s official lover, in individually mounted miniature portraits. Born in Saint Petersburg, Ritt demonstrated an early talent for painting and, at the age of 15, went to study at the Academy of Antwerp under the tutelage of its director, Andreas Quertemont. After five years, Ritt relocated to Paris and entered the Académie Royale de Peinture et de Sculpture, the state-sponsored art institution, to study with François-André Vincent. With the growing unrest in Revolutionary Paris, Ritt returned to Saint Petersburg in 1792 and quickly found success as the Imperial Court Painter to Catherine the Great and the succeeding Czars, Paul the First and Alexander the First. Members of court and Russian nobility became the artist’s greatest patrons. Miniature paintings, like these of Catherine II and Count Lanskoy, were portable portraits that were exchanged as gifts, worn as jewelry, and treasured as sentimental keepsakes. It remains unclear if these portraits were initially conceived of as a set or as individual pieces that were later paired together. The frame, which dates to the 19th century, resembles an elegant book and was specially designed to hold these miniatures.

Scholar Source Context

Document identity
localId
7279
label
Czarina Catherine II and Count Alexander Lanskoy
core
obj
dtoType
object
pageCount
1
Source metadata
id
7279
contentType
object
stage
normalized
title
Czarina Catherine II and Count Alexander Lanskoy
description
Augustin Ritt, one of Russia’s most prolific miniature painters, presents Empress Catherine II of Russia and Count Lanskoy, the Empress’s official lover, in individually mounted miniature portraits. Born in Saint Petersburg, Ritt demonstrated an early talent for painting and, at the age of 15, went to study at the Academy of Antwerp under the tutelage of its director, Andreas Quertemont. After five years, Ritt relocated to Paris and entered the Académie Royale de Peinture et de Sculpture, the state-sponsored art institution, to study with François-André Vincent. With the growing unrest in Revolutionary Paris, Ritt returned to Saint Petersburg in 1792 and quickly found success as the Imperial Court Painter to Catherine the Great and the succeeding Czars, Paul the First and Alexander the First. Members of court and Russian nobility became the artist’s greatest patrons. Miniature paintings, like these of Catherine II and Count Lanskoy, were portable portraits that were exchanged as gifts, worn as jewelry, and treasured as sentimental keepsakes. It remains unclear if these portraits were initially conceived of as a set or as individual pieces that were later paired together. The frame, which dates to the 19th century, resembles an elegant book and was specially designed to hold these miniatures.
provenance
Abraham Jay Fink, Baltimore [date and mode of acquisition unknown]; A. Jay Fink Foundation, Inc., Baltimore, 1963, by bequest; Walters Art Museum, 1963, by gift.
date
late 18th century
rightsUri
CC0
language
en
genreSpecific
Miniatures
miniatures (paintings)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
4
height
4.8
dimensionsRaw
1 9/16 x 1 7/8 in. (3.97 x 4.76 cm)
Source extras
med
watercolor on ivory with jade, gold, and bronze frame
creator_ids
7008
collection_ids
EAN
exhibition_ids
2102
3225
Single page context
seq
1
pageIndex
0
type
photo
mediaId
b09d9c8415ca611b