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The coarse-grained salt available during the 16th century was expensive, and only the wealthy could afford to use it to season their food. In consequence, salt cellars, bowls for salt placed on the table, were prestige items. They usually come in pairs to accommodate a long table. As people were seated by status, it was important not to be seated "below the salt." Reymond put his monogram and the date on the top of these cellars where everyone could see them.Each cellar is decorated with profiles of men and women in 16th-century dress, with the exception of one nude figure. The woman stabbing herself is Lucretia, and the threatening man in a Roman helmet is Sextus Tarquinius. According to the ancient Roman historian Livy (59 BC-AD 17), Lucretia was raped by Tarquinius, a political rival of her husband, and thus dishonored. To redeem her family's honor, she killed herself. The morality of the period placed the responsibility for chastity on women, and the story of Lucretia was a well-known reminder.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 97d817a2c0bf9762
- Size
- unknown
Document data
- ID
- 77432
- Core
- obj
- Type
- object
DTO data
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"title": "Pair of Saltcellars",
"description": "The coarse-grained salt available during the 16th century was expensive, and only the wealthy could afford to use it to season their food. In consequence, salt cellars, bowls for salt placed on the table, were prestige items. They usually come in pairs to accommodate a long table. As people were seated by status, it was important not to be seated \"below the salt.\" Reymond put his monogram and the date on the top of these cellars where everyone could see them.Each cellar is decorated with profiles of men and women in 16th-century dress, with the exception of one nude figure. The woman stabbing herself is Lucretia, and the threatening man in a Roman helmet is Sextus Tarquinius. According to the ancient Roman historian Livy (59 BC-AD 17), Lucretia was raped by Tarquinius, a political rival of her husband, and thus dishonored. To redeem her family's honor, she killed herself. The morality of the period placed the responsibility for chastity on women, and the story of Lucretia was a well-known reminder.",
"provenance": "Visconti Collection [date and mode of acquisition unknown]; Sale, Paris, March 13-16, 1854, lot 55; William Cosier [date and mode of acquisition unknown]; Sale, Christie's, London, April 5, 1894, lot 105; Charles Borradaile, Brighton, by purchase; George Robinson Harding, London, by purchase; Henry Walters, Baltimore, [date of acquisition unknown] by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar
Document identity
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Document source metadata
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"contentType": "object",
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"title": "Pair of Saltcellars",
"description": "The coarse-grained salt available during the 16th century was expensive, and only the wealthy could afford to use it to season their food. In consequence, salt cellars, bowls for salt placed on the table, were prestige items. They usually come in pairs to accommodate a long table. As people were seated by status, it was important not to be seated \"below the salt.\" Reymond put his monogram and the date on the top of these cellars where everyone could see them.Each cellar is decorated with profiles of men and women in 16th-century dress, with the exception of one nude figure. The woman stabbing herself is Lucretia, and the threatening man in a Roman helmet is Sextus Tarquinius. According to the ancient Roman historian Livy (59 BC-AD 17), Lucretia was raped by Tarquinius, a political rival of her husband, and thus dishonored. To redeem her family's honor, she killed herself. The morality of the period placed the responsibility for chastity on women, and the story of Lucretia was a well-known reminder.",
"provenance": "Visconti Collection [date and mode of acquisition unknown]; Sale, Paris, March 13-16, 1854, lot 55; William Cosier [date and mode of acquisition unknown]; Sale, Christie's, London, April 5, 1894, lot 105; Charles Borradaile, Brighton, by purchase; George Robinson Harding, London, by purchase; Henry Walters, Baltimore, [date of acquisition unknown] by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
{
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