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Emblem books were a popular source of amusement during the late medieval period. They offered mysterious images whose meaning had to be puzzled out through a combination of contemplating the illustration and reading the accompanying text. These emblems offered a moral to be pondered, and often the message was related to love. Here, a blindfolded man precariously teeters at the top of a cliff and, unaware of the danger, takes a step forward. The moral: love is blind.

Page data

Page
1
Source index
0
Type
photo
Media ID
ce5c7938a9db680b
Size
unknown

Document data

ID
77559
Core
obj
Type
object
DTO data
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    "id": "77559",
    "sourceUrl": "https://purl.thewalters.org/art/W.476.3R",
    "contentType": "object",
    "stage": "normalized",
    "title": "Love is Blind",
    "description": "Emblem books were a popular source of amusement during the late medieval period. They offered mysterious images whose meaning had to be puzzled out through a combination of contemplating the illustration and reading the accompanying text. These emblems offered a moral to be pondered, and often the message was related to love. Here, a blindfolded man precariously teeters at the top of a cliff and, unaware of the danger, takes a step forward. The moral: love is blind.",
    "provenance": "Olschki [date and mode of acquisition unknown]; Henry Walters, Baltimore, ca. 1905, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1570 (High Renaissance)",
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    "dimensionsRaw": "H: 9 1/8 x W: 6 11/16 in. (23.2 x 17 cm)"
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Context sent to Scholar

Document identity
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    "label": "Love is Blind",
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Document source metadata
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    "contentType": "object",
    "stage": "normalized",
    "title": "Love is Blind",
    "description": "Emblem books were a popular source of amusement during the late medieval period. They offered mysterious images whose meaning had to be puzzled out through a combination of contemplating the illustration and reading the accompanying text. These emblems offered a moral to be pondered, and often the message was related to love. Here, a blindfolded man precariously teeters at the top of a cliff and, unaware of the danger, takes a step forward. The moral: love is blind.",
    "provenance": "Olschki [date and mode of acquisition unknown]; Henry Walters, Baltimore, ca. 1905, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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Page context
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